Aaron Taylor-Johnson and Elizabeth OlsenI’ve already commented that it was official due to other reputable sources, but now it’s official!official with Marvel itself signing off on the casting.

Aaron Taylor-Johnson and Elizabeth Olsen have officially joined the Avengers family as the brother-sister duo of Quicksilver and Scarlet Witch in Marvel’s “Avengers: Age of Ultron,” the highly-anticipated sequel to 2012’s smash-hit “Marvel’s The Avengers”! “Avengers: Age of Ultron” arrives in theaters May 1, 2015.

Taylor-Johnson broke out with his roles as Dave Lizewski in the “Kick-Ass” franchise and with his portrayal of a young John Lennon in “Nowhere Boy,” for which he won an Empire Award for Best Newcomer. Since then, Taylor Johnson has starred in 2012’s critically-acclaimed “Anna Karenina” and director Oliver Stone’s “Savages.”

Since making her big screen debut in 2011 with “Silent House” and “Martha Marcy May Marlene,” for which the actress garnered a number of awards and nominations, Olsen has gone on to star alongside the likes of Robert DeNiro and Sigourney Weaver in “Red Lights,” Josh Brolin and Samuel L. Jackson in director Spike Lee’s “Oldboy.”

Taylor-Johnson and Olsen will share the screen as leads in the highly anticipated “Godzilla” remake scheduled for a May 2014 release.

“Avengers: Age of Ultron” will bring the Marvel Universe’s biggest heroes together again to face one of their biggest villains, with “Marvel’s The Avengers” director Joss Whedon returning to write and direct the sequel. “Marvel’s The Avengers” was released in 2012 and went on to earn $1.5 billion worldwide, making it the third-largest grossing movie of all time.

In addition to “Avengers: Age of Ultron,” Marvel Studios will release a slate of films based on the Marvel characters including “Captain America: The Winter Soldier” on April 4, 2014; “Guardians of the Galaxy” on August 1, 2014; and “Ant-Man” on July 31, 2015.

1X07 – El Chacal
Air Date: 11/22/2013
When Cecilia finds herself in the middle of a gang war, she goes to the X-Men for help, but where is the line between doing the right thing and becoming a vigilante?
Rated TV-14 for intense action/language.

Marvel's Agent of S.H.I.E.L.D.I’m going to come out and say this is possibly the best episode yet.

I had really hoped the hype about the Thor tie-in wasn’t over-hyped, because you kinda knew it would be over-hyped, but, alas, the connection was very tenuous. In fact, they could have had this episode without the Thor 2 info-tie-in. But in a way, this was really a good thing because the show introduced its first non-canon Asgardian, a mason who got bored of breaking rocks after a few thousand years… that nearly defines perfect. 

I saw comments last week lambasting AOS because they weren’t bringing in ‘named’ characters like Arrow does. The fault in that logic is that Arrow brings in characters just to throw them away again like tissue paper. A ‘named’ character, like The Huntress, is treated as a plot device rather than a real character. Then later on when they realize their mistake, like with Deadshot, the character is haphazardly thrown around for ‘name value’ only. By AOS bringing in new characters it allows the show to be its own entity and give us a broader, much richer, environment outside the comics.

  • Pro – It’s easier for non-comic readers to enjoy the series as they don’t feel like they need a comic-encyclopedia.
  • Con – They have to make us feel invested in these new characters when we’re already invested in others.

It’s a tight rope, but if AOS can produce quality episodes like it did this time, then we’ll want to be invested in the new characters as well as the old.

A few other points, I do like the whole sequence in the beginging with Coulson wishing the Asgardians would send down the “God of Cleaning Up After One’s Self”… because, yeah, London, New York, these places got ripped up pretty bad and of course the heroes don’t help clean up (except maybe Chris EvansCaptain America). I really want to see an episode just about S.H.I.E.L.D.’s legal department after one of these events. Especially the department which deal with the outfit’s liability insurance. 

We also get a look into Ward’s tortured (of course) past, but it’s not played up like I thought they would. They avoided many of the obvious cliches, but unlike the previous episode, they didn’t seem to constantly default to the polar opposite of said cliche. He dealt with his exposure to the Berserker Staff like a S.H.I.E.L.D. agent of his caliber would… and of course May totally outdid him. And then, in something that was refreshingly realistic, Ward follows May into her room, rather than Skye, because, let’s face it, May is someone who can actually connect to him and understand his pain as a soldier. Skye, all she does it talk like a neo-hippy. 

The show still has its issues but seems to be working through its growing pains. I have a feeling we’ll see a lot more interconnection in the back half of the season, esp if they focus less on Skye and more on the team as a whole. If they can also get Jonathan Franks back directing, more the better, cause he’s a really good director and the quality of this episode compared to some previous ones definitely shows how good he is.

Next episode seems to involve poltergeists… should be fun. 

via CinemaBlend

X-Men: Days Of Future Past Plans Reshoots In Montreal

X-Men: Days Of Future Past Plans Reshoots In Montreal image
One of the most encouraging changes I’ve seen in movie fandom over the last five years is in the way we understand news about reshoots. Just a few years ago word about additional shooting days for something like Where the Wild Things Are or Sherlock Holmes would send us and the rest of the Internet into a tizzy, with everyone assuming that something disastrous was happening, that the director had been forced off the movie and that the studio was ruining everything. Sometimes, of course, it was true– Jonah Hex‘s reshoots were only the beginning of its troubles. But most of the time, especially on hugely expensive movies, it’s just part of making sure that spending all that money was worth it.

Which brings us to X-Men: Days of Future Past, now going into reshoots in Montreal according to The Calgary Herald. The production was a huge boon for Montreal when it started there earlier this year, and will reportedly be adding several extra weeks of production– Quebec film commissioner Hans Fraikin calls it “a big reshoot” while also noting that this kind of extra production “happens all the time, especially with big pictures.” And just how big X-Men: Days of Future Past is may be more than any of us were expecting– according to Fraikin it’s the second-biggest production in 20th Century Fox history, just below Avatar. That probably means a final budget way, way bigger than the $160 million it cost to make X-Men: First Class— and if you remember just how cheap the Emma Frost diamond effects looked in that first one, you know why the extra cash is such a good thing.

Not that we were relying on budget to get us excited about Days of Future Past— with everything from Peter Dinklage as a mustache-wearing villain to two versions each of bothProfessor X and Magneto, the movie has enough going on that I’d probably watch a version of it made for 15 bucks and the promise of free popcorn for the entire crew. Most of the expensive effects on the movie aren’t yet finished– and neither is the filming, apparently– but we finally got our first look at the superhero sequel when the teaser trailer emerged online a few weeks ago. Check it out below, and share your speculation about what’s happening in the reshoots in the comments.

via BleedingCool

Plans For The CW’s Flash Are Changing – He’s Getting His Own Pilot Instead Of Arrow Episode

The Flash

While Barry Allen will still be introduced in the upcoming eight and ninth episodes of Arrow season two, his full-on Flash-suited debut won’t now happen in episode twenty but in a standalone pilot.

“Standalone” is Deadline’s choice of word. They don’t mean that the links with Arrow will be severed – the CW and their showrunners are keeping the two series as sharing the same universe – but that the pilot won’t be an Arrow episode but the first Flash episode proper.

This seems to be a result of episodes eight and nine working very well. We’ll see for ourselves in just a couple of weeks.

I guess we’re to assume that this pilot, unless it’s a washout, will herald the beginnings of a Flash series come next Autumn.

Now back to wondering about Nightwing coming into the show too. Or… you don’t think CW could be planning a series for him too, do you? The trademarks are in place…

…nah. Those registrations were almost certainly made in preparation for Zack Snyder’s new Superman-Batman movie; that’s the reason why we’ll be getting Nightwing lunchboxes, pyjamas and ice skates, not a spin-off show on a minority channel.

1X06 – The Trask At Hand
Air Date: 11/15/2013
The X-Men are tasked with protecting Sentinel and Nimrod when Mystique makes herself known. Bobby and Kitty go to a local meeting of a group with ties to the mysterious Colonel Trask.
Rated TV-14 for intense action/violence.

Apologies for this one being a day late, please see my previous post for explanation why.

So, this last week has not been kind to me. Everything from sudden deadlines at work that weren’t there two days ago to the average temperature in Oklahoma dropping a good 20°F and giving my sinuses the run around. Not to mention my DVR kinda died half way through watching Elementary last night… this really sucks cause I have two episode of Arrow on there I haven’t watch yet (wait, is this a bad thing?).

Anyway, tonight’s episode The Trask at Hand is not ready for it’s 7 o’clock air-time. I hope to have it up tonight, but at the latest, tomorrow. It will post as usual on FF.net on Sunday.

In consolation, here is a sneak of episode 1X08 – Scarlet:

Rogue slammed on the breaks as a car whipped out in front of her with no regard of little things like ‘right of way’ and ‘oncoming traffic, “Seriously,” she laid on the horn, “why is it a universal constant that three fourths of the world’s population do not know how to drive?”

“Hhhmmm,” Wanda crinkled her brow as she focused on the car in front of them, “fun fact, radiators have a separate section for transmission oil to be cooled. If the flow slows down because it’s not cooling properly, then the transmission doesn’t get old and can burn out. When your transmission goes, sometimes it’s just cheaper to get a new car.”

Wanda snapped her fingers and a keen eye would see a small spark of reddish electrical energy jump across her finger pads.

“I’d turn here if I were you,” Wanda smiled, “our inconsiderate driver is about to find himself most inconvenienced.”

“Nice,” Rogue chuckled as she turned down a side road, “I told you taking that automotive class would come in handy.”

“You only wanted me to be able to fix your car for you if you were feeling lazy,” the Romanian smirked.

“Hey, you said it was easier to affect the probability of something happening when you understood how it worked,” Rogue took a corner, then started to pull up a drive, “I was just trying to help.”

“Uh huh,” Wanda shook her head, pulling a garage door remote from her bag, “what’s the probability that the spa uses the same frequency as this remote?”

“I dunno,” the Southerner grinned, “you tell me.”

“Let’s go with probable,” Wanda snapped her fingers again, pointing the remote at the gate which then proceeded to open on command. Wanda feigned surprise, “well now, would you imagine that?”

Agents of S.H.I.E.L.D.Let’s all have a moment of silence for the sandwich.

The latest episode of AOS is called “The Hub” because the team goes to The Hub which is a central location for S.H.I.E.L.D. ops. We also meet Victoria Hand from the comics and Agent Sitwell from the Item 47 short film. We get to see an ops room, some hallways… but that’s it. There is talk of a lot of cool things, places like tech/research levels, etc, but all we get to see is basic white walls. Other than the fact that the team gets their next mission while being at the The Hub and Skye uses the visit as a chance to find out about her parents… it’s pretty much just background noise for what, essentially, is a trust exercise.

Victoria sends Ward and Fitz on a mission with no extraction plan because they didn’t have the resources… even though the rest of the team is doing nothing, at all. Then they are able to extract Ward and Fitz fairly easily with very little notice (and apparently that plane is super fast). The whole situation makes no sense unless Victoria was specifically trying to see what Coulson and/or his team would do. Coulson trusted ‘the system’, Skye didn’t (surprise?). Then the whole anti-trust/hacking-into-the-system discussion is just dropped, sorta, the episode ends without letting us know if Victoria was really testing them (her smile suggests it but that is all). It’s one of those storylines that needs a payoff or else it’ll become a glaring plot hole to nitpick at later.

Speaking of pay-off, we continue to get trolled about Coulson. It seems ‘it’s a magical place’ is some kind of hypnotic response to the mention of Tahiti. Apparently he’s also not allowed to look at his own health records. I have a feeling we’ll get the pay off on this one at the mid-season break, it was something they likely planned in case they didn’t get their back nine. Okay, that’s how I would have played it.

The episodes are picking up, Skye is given the B-plots now and we’re seeing more of the other characters… but it almost seems formulaic. Last episode was Simmons. This one was Fitz. Next looks to be Ward. If the one after that is May then it literally is count-by-numbers character development. And while the plots have been used for character development, this episode was pretty much the ‘anti-cliche’. It felt like every time a situation came up they would automatically choose the exact opposite of the stereotype, which, is kinda just as bad because it doesn’t allow for the anti-symmetry of life. Sometimes we are the cliche, sometimes we surprise you… they tried to do this here but it just kinda came off as very safe.

But all in all, it’s still a good episode, they are working towards finding their niche… and unfortunately destroying awesome sounding sandwiches.

Elle Style Awards, London, Britain - 11 Feb 2013It was pretty much a sure thing, though still classified as ‘rumor’, but the casting for Scarlet Witch seems to have finally been confirmed by the Witch herself.

Elizabeth Olsen Finally Confirms ‘Avengers: Age Of Ultron’ Role via MTV

“Avengers” director Joss Whedon has been very open about his intentions to include brother-sister duo Scarlet and Quicksilver in his upcoming sequel “Age of Ultron,” but confirming who will play the sibling has been a little more difficult to pin down.

“Kick-Ass” star Aaron Taylor-Johnson was first mentioned as a contender for the role of Quicksilver this summer and was finally confirmed for the part last month (via The Wrap). He was said to be joined by his “Godzilla” co-star Elizabeth Olsen, in a report from Bleeding Cool in August, but an official confirmation was harder to come by for Scarlet Witch.

Samuel L. Jackson’s comments to The Wall Street Journal seemed to have confirmed that Olsen would appear with him in “Avengers: Age of Ultron,” but now the actress herself has shared her excited about joining the project with MTV News’ Josh Horowitz.

Speaking with MTV News at the junket for “Oldboy,” Olsen joked that Jackson had freed her from refusing to talk about the project by confirming her role. She said that she doesn’t know too much about “Avengers: Age of Ultron,” but that she’s excited to work with Taylor-Johnson again.

“We get to play husband and wife, and we get to play twin brother and sister,” she said. “It’s also fun because even though in ‘Godzilla’ we play husband and wife, we don’t have a lot of scenes together. I just love him. I love his family. I love his kids. I’m so excited…to actually work with each other. I think it’s going to be fun.”

Olsen also mentioned her soon-to-be director, Whedon, who she was quick to compliment. “He’s very smart. He’s too smart. He might be too smart,” she said. “Some people are too smart for their own good, but he’s amazing.”

“Avengers: Age of Ultron” opens in theaters on May 1, 2015.

While I’m not against the casting in and of itself… this basically confirms that the Maximoff twins are being stripped of most of their classic characterizations as Romani/Eastern European and being turned into ‘edgy British’. I understand Marvel!Disney had to tread water lightly since they can’t use ‘Magneto’ or ‘mutant’ in the film, but that doesn’t excuse changing the Maximoff’s nationality as it is wholly separate from their mutant status. The twins where Avengers long before they were ever discovered to be Magneto’s children and being mutants is just an excuse for them to have powers. The filmmakers could literally translate the twins onto the big screen with almost no changes from their comic book form just by saying ‘magic/experimental thingy’ instead of ‘mutant’.

There are only three reasons for them to be doing this:

  1. They don’t think the audience would want to see POC characters.
  2. They don’t want to make the effect to do POC characters correctly (or risk backlash from screwing them up).
  3. They are pissed about the license issue and deciding to completely remake these characters as some kind of thumb-nose to Fox.

None of these reasons are acceptable.

daredevil born again

Drew Goddard To Write Daredevil Netflix Series

via BleedingCool

When the announcement came that Disney and Marvel were bringing some of their superheros to Netflix in the form of live action 13-episode series, it seemed almost like a fever dream and way too good to be true, but today’s news reiterates how real this really is.

First one out of the gate is Daredevil, which famously flopped as a feature film starring Ben Affleck as the blind superhero. With its newly reinstated rights won back from Fox, Disney are now negotiating with Drew Goddard to write the Netflix series, according to The Wrap.

Goddard is a longtime pal and collaborator of Joss Whedon, who is either officially or unofficially overseeing the entire MCU for the studio (either way, he’s had something or other to do with all the post-Avengers films thus far). The two co-wrote and Goddard directed cult favorite horror flick Cabin in the Woods, so we can probably assume Whedon will have quite a bit to do with this latest massive undertaking as well.

Daredevil will be followed by Jessica Jones, Iron Fist and Luke Cage, culminating in an Avengers-style team-up miniseries bringing together The Defenders. Oh my gosh, I can’t wait. Your move, DC.

jessicajonesMelissa Rosenberg To Write And Oversee Marvel’s Jessica Jones Netflix Series

via BleedingCool

Yup, this is real alright. Hours after we learned that Drew Goddard would be writing and overseeing Marvel’s Daredevil live-action series for Netflix, now comes word via Deadline that Jessica Jones has itself a showrunner as well, in the form of Melissa Rosenberg.

She may be best known for Twilight and elicit an automatic negative reaction, but Rosenberg is very respected for her TV work on series like Dexter, and more than that, she’s very familiar with Jessica Jones as she had previously worked on writing for the Marvel superhero three years ago when a series was in development at ABC. The Netflix series will be a different incarnation, according to Deadline, though Jones will still be hanging up her spandex and opening a detective agency.

Also interesting about the two bits of news we’ve gotten today on this new undertaking is that Marvel and Netflix seem intent on experienced, relatively well known writers to oversee these projects. No direct-to-Netflix quality issues here, I think. Also, this means we’ll probably find out soon who will be shepherding Iron Fist and Luke Cage.