Posts Tagged ‘AOS’

aos-ragtagThis was quite possibly the most ‘comical’ episode of the season. And by comically I mean comics.

From the suitcase of gadgets courtesy of Trip’s Howling Commando grandfather, to May’s backfliping down the hall and hanging up the phone, to Phil’s version of a large file transfer, this episode really did read like a comic book. But instead of coming off too cheesy, it really tempered the pace of the last few episodes which have been pretty heady with the right touch of angst. This episode was a reprieve from the finale which is probably going to make us all scream and cry and throw things.

Now, the episode wasn’t all fun and games. In fact, towards the end it pretty much gave us a healthy taste of what we’re going to expect in the finale… which is OMG WTF?

At this point I’m not sure if they want to redeem Ward or not… they start the episode with some back history… explain why he is the way he is… give him that ‘manipulated by Garrett into thinking he’s the be all and end all’… in fact, Ward reacts much like a child would to Garrett’s worsening state. But when  he’s given the chance to change, to do the right thing, he literally throws Fitz and Simmons out of the airplane. And I mean literally literally…

Sure, an argument could be made that Ward could have done a whole lot worse other than dropping them from what looked like a single story, maybe two, nothing that they couldn’t live through. But he still dropped them. He made that choice.

They are painting Ward into a corner he can’t get out of.

Loki much?

 

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aos_nothing personalI’m rather annoyed at myself for not reviewing this episode sooner, especially since this was the best yet!

Now, I know I’ve not exactly been fond of Skye, I’ve found her to be a highly annoying character, but in Nothing Personal I garnered a whole new respect for the woman. It happened about the moment Skye called BS on Ward. She could have gone all “I love you, there’s still good in you, blah blah”. That kinda of reaction does have its place in storytelling but it’s often the only reaction anyone ever writes in these cases. Not only is that dull, unimaginative, and borderline sexists, it often doesn’t even fit the scene or character (looking at you Padme, you broke my heart!). So when Ward tries to pull the “i care about you’ shtick on Skye I nearly shouted for joy when she calls him out for all the people he chose to murder.

No excuses. No attempt to justify his actions. She flat out calls him a Nazi.

Damn straight girl! You tell him!

And the best part, later when she sticks to her morals and doesn’t let Ward die it’s a much more powerful scene as she’s really doing it because she’s not a murderer, not because of some romantic ideal she has in her head about Ward.

This really is the best part of the episode, but did I mention Maria Hill shows up and is basically 110% done with everyone’s shit?

Then that ending where we discover the roots behind Project T.A.H.I.T.I. and Coulson’s true involvement in it and how he should have just shut up and trusted May? Cause yeah, that happened.

Two episodes left and if this show is not renewed… I’m going to have to go Black Widow on someone’s ass.

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AMY ACKER, CLARK GREGGIt was the moment we saw coming… well… now… after we knew Ward was Hydra… and that it wasn’t a fake out…

The interrogation scene was a nice little introspective on the characters as they go through the lie detector, which is a classic set up that is made pretty fun here because of what kind of questions are asked in the interrogation. Their answers are pretty hilarious and telling. Then we get to Ward who only passes by virtue of causing himself great pain. Koenig isn’t too bright, you think he’d question the results of his test… but there you go.

Phil goes off to save The Cellist whom we have heard about since Avengers. I wasn’t sure how they were going to play this, if he would be ‘surprise, I’m not dead’, or whatnot, and they decided to play it old school, Phil keeping himself in the shadows. It was rather touching, truth be told, not melodramatic or anything. The speech was a bit much but then we all know Phil is the kind of guy to illicit such feelings… from the fans at least. The whole thing really was what fan fiction was made for.

But then you turn around and Phil is so pissed off at May it’s like he’s a whole other person. Priorities Phil… just cause she was spying on you for Fury and was basically running the whole operation…

but still…

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shield-providence-11So I guess Ward really is a bad guy… awkward.

I applaud that they decided to actually make him a bad guy. At first I thought maybe he was a Hydra plant who turned once he saw things go down, but killing those guards and telling Garrett about the sub-level pretty much cinch the idea that Ward is straight up Hydra through and through. This is gonna make things really fun and interesting… just as long as we don’t suddenly get bogged down with ‘his love for Skye will turn him’ kind of  romantic tripe.

And can I also say I loved Coulson’s breakdown? I mean, that was full on ‘broken man’ syndrome going on there. It was perfectly characterized and you could really feel for him. As Skye put it, he literally died for S.H.I.E.L.D. and to learn that it was infested with Hydra and they were all branded terrorists and Fury is dead and… and… oh someone give that boy a hug!

There was also the Lady in the Flower Dress, you could see the disappointment in her eyes when she discovered The Clairvoyant wasn’t really a clairvoyant. The lady was a true believer… so I wonder how that is going to play into things in the future. What price will Garrett pay for tricking her? I mean, she seems friendly enough… for now…

As for Providence, I’m not entirely sure what that place was and I was not endeared to Patton Oswald at all… but that could just be me.

Now that AOS is under the restrictions of waiting for Cap 2 to come up… things are really starting to heat up…

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aos_turnturnturnHail Hydra?

So May was a big understanding and Hand was not the bad guy, we all saw that coming, but at least it was dealt with in a fairly awesome way. When Hand gives her speech to Simmons I was actually a bit intense and I wasn’t sure how that was going to play out. Garrett wasn’t a terribly big surprise, figured it had to be someone we’d seen before and there wasn’t too many choices.

The big twist was Ward, the whole time he seems to be working perfectly for Coulson’s crew but in reality he’s Hydra? I’m not sure about that. The whole thing with Hand seemed a little too blocky, almost staged. Hand knows Garrett won’t talk under normal interrogation so why not get Ward in there undercover? But what does Garrett have to believe Ward is on his side because if Garrett ever mentioned Hydra to him then you’d think Ward would have said something? This really could go both ways as long as some logistics are ignored here and there, which happens a lot in these kinds of tv shows.

AOS is really coming into itself and it’s been pretty clear that trying to keep ‘in universe’ with the MCU has been the cause of many of its problems. It has a little choke hold on it which does it no favors. Maybe AOS can stretch its wings now that Cap 2 is out of the way and no new MCU movies are set to come out until Age of Ultron, which is still filming.

SHIELD is down and out, no one can be trusted… things are about to get interesting.

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agents_of_shield_yes_menShouldn’t there have been a bullet in the chamber?

Seriously, does this show not know how guns work? Also, why send Ward, a male, on his own to the back of the building containing the woman who can control men? I understand that sometimes you have to make characters do things to make the plot move forward but do you have to make it so darn obvious?

Speaking of obvious, they are already doing the ‘secretly a traitor’ thing again, this time with May, thought probably isn’t what it looks like, of course.

The only thing that keeps this show from floundering is that is’t fun. Lady Sif shows up and we get a wonderful episode full of action, humor, and some very interesting Easter Eggs, such as OdinLoki wanting Lorelei brought back alive. What plans does he have for the sorceress woman? And where is Fury, no one seems to know, and how is that gonna tie into Winter Soldier? There really is enough here to make a girl giddy.

But still the show relies on plot conveniences and really schmaltzy dialogue which holds it back from being epic. Although, they did manage to not go overboard with the gender divide commentary. It was appropriately snarky.

Lastly, is no one going to comment on the fact that Ward was essentially raped?

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Agents-of-SHIELD-TAHITIWell, that was disturbing…

Like all televisions shows, even the best ones still have to take a season to truly find their feet and AOS has been doing exactly that… I’m just not sure I like where they are standing.

All season there has been a push towards there being something rotten in SHIELD, little things here and there, especially with the circumstances around Coulson living and Skye’s backstory. Then you have the Winter Soldier trailer which basically flat out accuses SHIELD of becoming the bad guy. Now we have TAHITI which is an episode that holds up a neon sign that says there is something seriously corrupt inside SHIELD what with their secret facility (that was way too easy to find if you ask me) and their Leech meets Source Code blue guy floating in the tank.

(You’re telling me that all this tech going on down there, the production of chemicals and drugs and the like, and there is no scientists on duty? Just too guards? Unless the place was mothballed, which it clearly wasn’t, their should have been way more people there. This smells like either a set up or lazy writing.)

Speaking of lazy writing, I was really hoping that this show, when it finally stopped being all about Skye, would try to be clever and unique like much of Whedon’s work. Instead, we get the tried and true “we secretly work for a corrupt company/government” storyline. Yeah, it can be effective, but it’s been done so much, especially lately. If this whole backseason is going to be nothing but them ‘fighting the man’ then I will be disappoint…

But at least it won’t be ‘the Skye show’ and we can get more from everyone else. Always a plus side to everything…

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Agents of S.H.I.E.L.D. "T.R.A.C.K.S."Simmons should never be let off the bus… and is Stan Lee a pimp now?

Truly, Simmons getting a little too method acting in her undercover role was both priceless and a source of second-hand embarrassment. It was pretty funny though. You can just see the look on Coulson’s face… he was definitely thinking “I died for this?”.

The biggest issue though was the constant backtracking. I have nothing against the back-track in story telling, when you go back and show everything from someone else’s POV, but it’smost effective when done once (like in Leverage) or, at the most, twice. Here, it was done three times not counting the original timeline. It started to get real annoying, real quickly. Thankfully it was saved by little moments here and there between the characters.

This brings up the dynamic of May and Ward’s ‘just sex’… Coulson really schooled Ward on that one, but in the end, I don’t really care. This relationship could be pretty awesome and fresh in how it deals with these kinds of tropes, but it’s being shoe-horned into some kind of weird love-quadrangle and that means I do nothing but roll my eyes.

Though this episode gave us a pretty killer ending. Micheal is turned into Deathlok and Skye is shot. I’m not sure a pressure tank works like that, but hey, it’s Marvel, whatever works. I thought this might trigger whatever Skye’s special ability is but it looks like they are playing the long con. I must say though, the scene played out quite nicely, just enough shock and awe.  This is doing a lot to repair Skye’s character from being the annoying one to being the tolerable one.

Oh, and Simmons attacking that guy and taking the grenade, awesome character moment there though I’m afraid we probably won’t see much more from it, that’s how this show seems to be running right now.

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Agent Melinda May - Agents of S.H.I.E.L.D. "A Magical Place"Always trust May, she’s got this.

The second half of the season starts off with giving us the best episode yet. First off, Skye is not the most annoying character ever. She does get a fair amount of screen time but she’s actually being useful and productive rather than just running around whining then suddenly saving the day with her ‘mad hacking skills’. The way she gets what she needs in this episode is interesting and fun. For once I’m not rolling my eyes at her. Ward on the other hand…

But more importantly, in this episode, we learn about Coulson’s death… because he apparently did actually die, but Nick Fury does not take ‘death’ as an answer.

Coulson went through several operations to bring him back to life, seven at the very lease, and the brain surgery scene we saw was only the tip of the iceberg. But here’s the thing, if they took his skull off like that… why isn’t there a scar? There is no way they put the skin back on and completely avoided even the hair growing a little strange… unless they are saying that MCU medicine is just that good? It’s possible, they did bring a man back to life. Or maybe something more sinister is at work. It was pointed out that Let Me Die = LMD and Life Model Decoy = LMD. Coincidence?

There is still a lot more here they aren’t telling us but at least they gave us plenty to keep us satisfied for now.

Hopefully the improved quality of this episode is signs of better things to come in the future, but with the teasers pointing to being more about Skye and her background… ugh.

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vai CBR

TV RATINGS: TRACKING “MARVEL’S AGENTS OF SHIELD”

To say “Marvel’s Agents of S.H.I.E.L.D.” has received a critically-mixed response is something of an understatement. While it’s certainly not the most panned new show of the 2013-14, there have been a number of high profile negative reactions from fans, critics and comic creators (most notably Jim Steranko). Despite the decidedly tepid reaction, however, ABC quickly extended the series for a full season order, and the chance of renewal is high, given that it’s the only show currently competing for ratings against CBS juggernaut “NCIS.”

 

Critical reaction aside, the question remains: How is “Agents of S.H.I.E.L.D.” actually performing in the ratings and viewership since its record-breaking premiere episode? While the numbers certainly didn’t remain as high as the premiere, it’s by no means a weak show, and is actually stronger than many folks realize.

WHAT ARE NIELSEN RATINGS?

Before digging too deep into charts and graphs, it’s important to understand what these numbers mean. Nielsen ratings represent a percentage of viewers in a given age group; if a show gets a 2.6 rating for adults 18-49, it means that 2.6 percent of all 18-49 year olds watched that show during its live airing. Relatively simple.

While 2.6 percent might not seem all that impressive at first glance, keep in mind that — as of 2010-11 — Nielsen determined there were 131 million adults in the 18-49 age bracket. So that 2.6 rating in 2010 meant 3.406 million people watched the show during its live airing.

Why is the 18-49 demographic the most important? The short answer is that most ads are tailored to that age group, in large part because they’re the people most likely to spend money. The higher the percentage of 18-49 year olds watching a show, the easier it is for networks to sell ad space and get more revenue out of a series.

That said, live ratings no longer give as complete a picture of the health of a series as they once did — the advent of the DVR and next-day streaming services like Hulu can increase viewer numbers and ratings significantly, though how much it influences a network’s approach to renewing a series remains pretty much unknown.

Another term to be aware of — especially given that the most recent one just ended — is “Sweeps.” These ratings periods involve Nielsen sending out paper television viewing diaries to households across the country, helping provide a basis for program scheduling and advertising decisions for local television stations, cable providers and potential advertisers. Sweeps periods take place in November, February, May and July.

THE STATUS OF “AGENTS OF S.H.I.E.L.D.”

With all of that in mind, the following graphic charts the viewer numbers and ratings of live “Agents of S.H.I.E.L.D.” broadcasts. All charts are for Live+Next Day adjusted ratings, and all viewer numbers are represented in millions. The total is a combination of Eastern/Central and Pacific airings.

 As the chart indicates, “Agents of S.H.I.E.L.D.” began with its series high and slowly declined to its lowest point for episode 7, “The Hub.” It worked its way back up to end November sweeps on the highest rating in the 18-49 demo the show had in three weeks and the second highest viewer numbers overall. While it’s unknown exactly what contributed the the recent bump in ratings and viewers of last week’s episode, there are two major factors that may explain the upwards trend. First, the impending Thanksgiving holiday, where viewers may have begun vacationing early, giving them more free time to tune in. Second, the previous episode’s tie-in to “Thor: The Dark World” likely helped as well.

The timing of the “Thor” tie-in is not a coincidence. While the film’s November launch date was set very far in advance, “Agents of S.H.I.E.L.D.” cleverly used the movie to help drive its November Sweeps numbers. As more people saw the film and caught the related “S.H.I.E.L.D.” episode online or via DVR playback, a number apparently stuck around for the following episode. The gambit seems to have paid off, for now, at least. Time will tell if the series is able to keep its current bump in live viewers.

“AGENTS OF S.H.I.E.L.D.” VERSUS “NCIS”

That’s all well an good, but there are a few comparisons that can give a clearer picture as to how “Agents of S.H.I.E.L.D.” is doing in the marketplace — chief among them is comparing the show with it’s main timeslot competitor, “NCIS.”

Currently in its eleventh season, “NCIS” is a ratings powerhouse for CBS, and it is significant competition for “Agents of S.H.I.E.L.D.” when fighting for casual viewers, in part due to both shows being of a procedural genre nature. Here’s how “Agents of S.H.I.E.L.D.” tracks next to NCIS in both ratings and viewers.

One very significant note about these charts: the 6th episode of “NCIS” season 11 aired without a new “Agents of S.H.I.E.L.D.” episode opposite it; and episode 9 of “Agents of S.H.I.E.L.D.” aired without a new “NCIS.”

While “Agents of S.H.I.E.L.D.” may not be competing with “NCIS” in terms of overall viewers, it’s a little more competitive for ratings in the coveted 18-49 demographic. And though “S.H.I.E.L.D.” does trend lower than “NCIS,” it’s still the only competitive non-reality force for its timeslot as evidenced by these charts, which detail ratings and viewers for all shows that normally air on Tuesdays at 8PM.

 As you can see, “S.H.I.E.L.D.” is quite literally the only show that comes close to competing with “NCIS” both in the 18-49 ratings and in overall viewership. It’s likely that these competitive ratings for its timeslot helped influence ABC to expand “S.H.I.E.L.D.” to a full 22-episode order. That said, there isn’t a whole lot of non-reality-based competition during “S.H.I.E.L.D.’s” timeslot: “Brooklyn Nine-Nine” has some positive buzz and “Dads” continues to get support from Fox, but neither shows any sign of bringing in numbers comparable to “S.H.I.E.L.D.” A similar phenomenon occurs as relates to “The Originals,” the CW’s “Vampire Diaries” spinoff.

It’s also important to note that, other than “NCIS,” all current non-reality series in the Tuesday 8 PM timeslot are brand-new. Out of the four new shows in the Tuesday 8 PM timeslot, “S.H.I.E.L.D.” is clearly way ahead and could even be considered to be the standout new series of the night when just looking at the number comparisons.

“AGENTS OF S.H.I.E.L.D.” VERSUS 2012-2013

It’s very difficult to evaluate “Agents of S.H.I.E.L.D.” against last year’s ABC show in the same timeslot — namely because it was “Dancing With The Stars” in the fall, “The Taste” as a mid-season premiere, followed by “Celebrity Wife Swap,” then “Splash” in the Spring. All four of those shows are reality-based programming. Comparing “Agents of S.H.I.E.L.D.” — a scripted show — to reality television is a bit like comparing apples and oranges, but it does give a slightly better idea as to how “Agents of S.H.I.E.L.D.” is doing. For ease of comparison, the following chart shows “Agents of S.H.I.E.L.D.” in relation to the numbers that were closest to same Tuesday air date in 2012-2013.

Note: The final week of November was the “Dancing With The Stars” finale and it began at 9 PM instead of 8 PM. There was also a 5th week of October in 2013, but no episode of “Agents of S.H.I.E.L.D.” aired that week.

While “Agents of S.H.I.E.L.D.’s” ratings are higher nearly across the board in the 18-49 demo, the viewer numbers overall are definitely not in the same class as “Dancing With The Stars.” However, the higher ratings of “Agents of S.H.I.E.L.D.” is certainly a point in the scripted drama’s favor over last year’s “Dancing With The Stars.”

“AGENTS OF S.H.I.E.L.D.” VERSUS “SLEEPY HOLLOW”

There is one more comparison we have to make with “Agents of S.H.I.E.L.D.,” one with a show lauded by critics as the surprise hit and critical darling of the 2013-2014 season: “Sleepy Hollow.”

Airing on Mondays at 9 PM opposite almost zero competition, “Sleepy Hollow’s” chief competitor is usually 2 half-hour sitcoms on CBS. (Fox, ABC and NBC air reality programming in the fall on Mondays) That said, “Sleepy Hollow” is up against ratings monsters, even if they are reality shows (“The Voice” on NBC and “Dancing With The Stars” on ABC), two half-hour sitcoms on another network and a CW show. (“Beauty and the Beast”) To top it off, “Sleepy Hollow” is also a genre procedural in its first season. Top to bottom, it’s remarkably similar to “Agents of S.H.I.E.L.D.”

Here are the ratings/viewer comparison charts between “Sleepy Hollow” and “Agents of S.H.I.E.L.D.”

For the most part, “S.H.I.E.L.D.” and “Sleepy Hollow” are neck and neck for ratings and viewership with a few outliers. Critical reaction is certainly on thing — “S.H.I.E.L.D.” is cited for not living up to expectations, while “Sleepy Hollow” is praised for having exceeded them — the shows both are following similar trajectories in terms of ratings and viewers.

WHAT DOES THIS MEAN FOR “AGENTS OF S.H.I.E.L.D.”?

Despite critics’ evaluations, “Agents of S.H.I.E.L.D.” is performing very well, certainly well enough to understand why ABC chose to commit to a full season order. Any show that can even come close to the constant 3.0 ratings of “NCIS” on Tuesdays is a decently sound investment for ABC. At this point, the only thing that would probably prevent the series’ renewal is if the numbers start to trend downward beyond normal show attrition.

That said, if “Sleepy Hollow” is bringing in the ratings it does on a night largely devoid of scripted television and continues its climb as critics’ it girl of the 2013-2014 season, imagine what “Agents of S.H.I.E.L.D.’s” ratings would be like if it were getting similar acclaim.

Bottom line is, the numbers are very strong for the current market. The fact that the only scripted show “Agents of S.H.I.E.L.D.” can’t beat in its timeslot is “NCIS” makes it a much more likely bet for ABC renewal — especially given the .2 gain each week in the ratings since November 12.

All data sourced from TV by the Numbers.

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