Agents of S.H.I.E.L.D.This is what you call a slow simmer to a boil. But I don’t think the stew is quite ready yet. Though I bet it’s going to taste fantastic.

Metaphor aside, I realize I haven’t reviewed “Repairs” yet which was Episode 9. That’s nothing against the episode, it was just the last week of NaNo and I was in crunch mode, big time. I’ll review it during the hiatus. At the moment I want to talk about the mid-season finale.

The point of the mid-season finale is to give us a reason to come back in one (two-ish) months. “The Bridge” certainly did that. Not only do we not know what happened to Mike, but Coulson has been captured… in possibly the worst S.H.I.E.L.D. op in history.

Seriously, I know that they had the whole “no police or the kid gets it” kind of set up but this is freaking S.H.I.E.L.D., the fact that they waited to put the comms on, the satellite wasn’t already tasked, that they didn’t do something other than just sit in the van with one, ONE, sniper trained on the bag guys, and no one made the Helicopter, you know, the thing that can be heard for (well, it’s over water, so humid, plus echoing off the bridge) half a mile?

It just… I just… what? I know they are supposed to be a super team… but what? Sorry AOS, but your logistics really failed me on this one.

As for your story telling… it was pretty bland. It was all set up to get you to the bridge and the capture of Coulson. Even with a fight scene in there, it was too early and too straight forward to be very exciting. Then you have Skye’s constant whine and whatever the hell is going on with May now. They pulled out the “you don’t need to protect me since we’re sleeping together” trope with May and Ward and they tried to be clever about it, only to fall flat.

Even the capture of Coulson seemed a little too neat, but I think that might be on purpose. Coulson is a clever man and Mike is trying to be a good man. I have a feeling some of that was staged (it would explain the lousy op). At least I hope it was otherwise the scene literally played way too connect the dots to actually be interesting.

It seems though that we’ll actually get to find out what is going on with Coulson in the second half of the season, so, yay! Unless they’re just trolling us… one can never be too sure.

A+X #13Our first team up is the unlikely duo of Cyclops and Captain America… and when I say unlikely, I mean they pretty much wreck the place because they can’t stop fighting for five seconds.

As much as this is probably true and there was that spark of a small moment where they actually worked together, the whole thing just felt like a big ol’ dose of trope thrown on top a three-trope layered dip. From the fighting to the convenient breaking of the Skrull reader… the whole thing was nearly painful to read. The only godsend was that Cap didn’t cuff himself to Scott cause then that would have just taken the cake.

Apparently this is going to play out over five more issues so… yeah… I hope this isn’t a sign of what’s to come.

In the second story, which was horribly drawn, it literally look like half-finished sketches, I felt that I’m supposed to jump up and yell ‘girl power!’

But again with the straight up been there, done that, story full of every trope they could find. It’s hard to think that there is anything ‘girl power’ about this when the writer obviously knows nothing about girls. Then he finishes the story on a very crude (and overused) joke.

I’m struck between wanting to be offended and not really caring enough to be offended.

Uncanny X-Men #13Everyone gets impaled on a sword! You get impaled, and you get impaled, everyone, gets, impaled!

That’s pretty much the only thing I got from this issue. Everyone is fighting each other. A lot of people got stabbed. It’s pretty much the issue where most of the characters get offed so that there won’t be many loose threads to deal with at the end.

It’s also the issue that would make River Song scream. Seriously, the amount of ‘stops right before reveals something of the future’ and spoiler alerts is just bloody annoying, especially since, as I’ve said before, unless some of this stuff is to pay off nearly immediately, it will all be forgotten in a year. So why do this to us? It’s bloody pointless.

But there is the interesting point that the kids can’t go back it seems. Basically they mucked up the time stream royal. 

Why does this not surprise me?

X-Men Legacy #18I’m not sure if I agree with David’s ‘end justifies the means’ approach to everything… but it definitely makes for some interesting reading.

I mean, he’s right, sometimes you have to take an active approach… but using a brain dead girl and letting himself get the crap beat out of himself just to lure out Luka? It’s definitely questionable. But it worked, and it worked well. A little too well.

Emma had the Cuckoo’s put the whammy on David because they thought he was a threat, well, a bigger threat than he actually is. Now he’s blacked out and the Xavier in his mind looks to have escaped.

But here’s the thing, it put him down by bringing up his crippling depression. Yes, he has that. It’s quite obvious from the fact that he acts out the way he does. True, his depression takes the shape of ‘daddy issues’ as it looks like he was never good enough for his father, but that is just the face, a representation.  It’s really about his own self-esteem. He’s been cataloged as crazy, and believes himself crazy. He has powers he can’t handle. He’s horrible at relationships. And apparently he will be the end of his own race.

So, yeah, the boy has issues.

Is it a wonder that the weight of them would take him down so easily?

Deadpool #18Can this story get any more heart breaking?

I mean, yay, that they managed to save who they did and all that, but the shear amount of loss is incredible. And in Wade’s mind it’s all because of him. He is the one to blame.

It’s not his fault of course, there is no way he could have expected this or been able to do anything about it, but he still places all the blame on himself. So no matter what actually happens in the final part of this arc, he’s going to carry that with him and it will just be another scar amongst others. I really don’t think he’s going to come out okay at all to be honest.

It really seems like this is one of those ‘there are no happy endings’ kind of story… I really hope not, but I’m bracing for the worst.

The month of November was kinda rough on me with NaNoWriMo and other things.

I got behind on Arrow, partly because I wasn’t motivated to watch (if you’ve read my reviews then you’d understand), but mostly because my DVR died, CW isn’t On Demand, I don’t have Hulu+ and I can’t be motivated to watch it off the website (but I guess I’ll have to marathon it here soon).

My comic books are stacking up, they are about four inches deep. This was mostly a case of not having the time as I spent most of my days trying to get those 50k words for NaNo. But I’m going to get back on this, I don’t want to get too behind. So expect some spamming from me soon. 

vai CBR

TV RATINGS: TRACKING “MARVEL’S AGENTS OF SHIELD”

To say “Marvel’s Agents of S.H.I.E.L.D.” has received a critically-mixed response is something of an understatement. While it’s certainly not the most panned new show of the 2013-14, there have been a number of high profile negative reactions from fans, critics and comic creators (most notably Jim Steranko). Despite the decidedly tepid reaction, however, ABC quickly extended the series for a full season order, and the chance of renewal is high, given that it’s the only show currently competing for ratings against CBS juggernaut “NCIS.”

 

Critical reaction aside, the question remains: How is “Agents of S.H.I.E.L.D.” actually performing in the ratings and viewership since its record-breaking premiere episode? While the numbers certainly didn’t remain as high as the premiere, it’s by no means a weak show, and is actually stronger than many folks realize.

WHAT ARE NIELSEN RATINGS?

Before digging too deep into charts and graphs, it’s important to understand what these numbers mean. Nielsen ratings represent a percentage of viewers in a given age group; if a show gets a 2.6 rating for adults 18-49, it means that 2.6 percent of all 18-49 year olds watched that show during its live airing. Relatively simple.

While 2.6 percent might not seem all that impressive at first glance, keep in mind that — as of 2010-11 — Nielsen determined there were 131 million adults in the 18-49 age bracket. So that 2.6 rating in 2010 meant 3.406 million people watched the show during its live airing.

Why is the 18-49 demographic the most important? The short answer is that most ads are tailored to that age group, in large part because they’re the people most likely to spend money. The higher the percentage of 18-49 year olds watching a show, the easier it is for networks to sell ad space and get more revenue out of a series.

That said, live ratings no longer give as complete a picture of the health of a series as they once did — the advent of the DVR and next-day streaming services like Hulu can increase viewer numbers and ratings significantly, though how much it influences a network’s approach to renewing a series remains pretty much unknown.

Another term to be aware of — especially given that the most recent one just ended — is “Sweeps.” These ratings periods involve Nielsen sending out paper television viewing diaries to households across the country, helping provide a basis for program scheduling and advertising decisions for local television stations, cable providers and potential advertisers. Sweeps periods take place in November, February, May and July.

THE STATUS OF “AGENTS OF S.H.I.E.L.D.”

With all of that in mind, the following graphic charts the viewer numbers and ratings of live “Agents of S.H.I.E.L.D.” broadcasts. All charts are for Live+Next Day adjusted ratings, and all viewer numbers are represented in millions. The total is a combination of Eastern/Central and Pacific airings.

 As the chart indicates, “Agents of S.H.I.E.L.D.” began with its series high and slowly declined to its lowest point for episode 7, “The Hub.” It worked its way back up to end November sweeps on the highest rating in the 18-49 demo the show had in three weeks and the second highest viewer numbers overall. While it’s unknown exactly what contributed the the recent bump in ratings and viewers of last week’s episode, there are two major factors that may explain the upwards trend. First, the impending Thanksgiving holiday, where viewers may have begun vacationing early, giving them more free time to tune in. Second, the previous episode’s tie-in to “Thor: The Dark World” likely helped as well.

The timing of the “Thor” tie-in is not a coincidence. While the film’s November launch date was set very far in advance, “Agents of S.H.I.E.L.D.” cleverly used the movie to help drive its November Sweeps numbers. As more people saw the film and caught the related “S.H.I.E.L.D.” episode online or via DVR playback, a number apparently stuck around for the following episode. The gambit seems to have paid off, for now, at least. Time will tell if the series is able to keep its current bump in live viewers.

“AGENTS OF S.H.I.E.L.D.” VERSUS “NCIS”

That’s all well an good, but there are a few comparisons that can give a clearer picture as to how “Agents of S.H.I.E.L.D.” is doing in the marketplace — chief among them is comparing the show with it’s main timeslot competitor, “NCIS.”

Currently in its eleventh season, “NCIS” is a ratings powerhouse for CBS, and it is significant competition for “Agents of S.H.I.E.L.D.” when fighting for casual viewers, in part due to both shows being of a procedural genre nature. Here’s how “Agents of S.H.I.E.L.D.” tracks next to NCIS in both ratings and viewers.

One very significant note about these charts: the 6th episode of “NCIS” season 11 aired without a new “Agents of S.H.I.E.L.D.” episode opposite it; and episode 9 of “Agents of S.H.I.E.L.D.” aired without a new “NCIS.”

While “Agents of S.H.I.E.L.D.” may not be competing with “NCIS” in terms of overall viewers, it’s a little more competitive for ratings in the coveted 18-49 demographic. And though “S.H.I.E.L.D.” does trend lower than “NCIS,” it’s still the only competitive non-reality force for its timeslot as evidenced by these charts, which detail ratings and viewers for all shows that normally air on Tuesdays at 8PM.

 As you can see, “S.H.I.E.L.D.” is quite literally the only show that comes close to competing with “NCIS” both in the 18-49 ratings and in overall viewership. It’s likely that these competitive ratings for its timeslot helped influence ABC to expand “S.H.I.E.L.D.” to a full 22-episode order. That said, there isn’t a whole lot of non-reality-based competition during “S.H.I.E.L.D.’s” timeslot: “Brooklyn Nine-Nine” has some positive buzz and “Dads” continues to get support from Fox, but neither shows any sign of bringing in numbers comparable to “S.H.I.E.L.D.” A similar phenomenon occurs as relates to “The Originals,” the CW’s “Vampire Diaries” spinoff.

It’s also important to note that, other than “NCIS,” all current non-reality series in the Tuesday 8 PM timeslot are brand-new. Out of the four new shows in the Tuesday 8 PM timeslot, “S.H.I.E.L.D.” is clearly way ahead and could even be considered to be the standout new series of the night when just looking at the number comparisons.

“AGENTS OF S.H.I.E.L.D.” VERSUS 2012-2013

It’s very difficult to evaluate “Agents of S.H.I.E.L.D.” against last year’s ABC show in the same timeslot — namely because it was “Dancing With The Stars” in the fall, “The Taste” as a mid-season premiere, followed by “Celebrity Wife Swap,” then “Splash” in the Spring. All four of those shows are reality-based programming. Comparing “Agents of S.H.I.E.L.D.” — a scripted show — to reality television is a bit like comparing apples and oranges, but it does give a slightly better idea as to how “Agents of S.H.I.E.L.D.” is doing. For ease of comparison, the following chart shows “Agents of S.H.I.E.L.D.” in relation to the numbers that were closest to same Tuesday air date in 2012-2013.

Note: The final week of November was the “Dancing With The Stars” finale and it began at 9 PM instead of 8 PM. There was also a 5th week of October in 2013, but no episode of “Agents of S.H.I.E.L.D.” aired that week.

While “Agents of S.H.I.E.L.D.’s” ratings are higher nearly across the board in the 18-49 demo, the viewer numbers overall are definitely not in the same class as “Dancing With The Stars.” However, the higher ratings of “Agents of S.H.I.E.L.D.” is certainly a point in the scripted drama’s favor over last year’s “Dancing With The Stars.”

“AGENTS OF S.H.I.E.L.D.” VERSUS “SLEEPY HOLLOW”

There is one more comparison we have to make with “Agents of S.H.I.E.L.D.,” one with a show lauded by critics as the surprise hit and critical darling of the 2013-2014 season: “Sleepy Hollow.”

Airing on Mondays at 9 PM opposite almost zero competition, “Sleepy Hollow’s” chief competitor is usually 2 half-hour sitcoms on CBS. (Fox, ABC and NBC air reality programming in the fall on Mondays) That said, “Sleepy Hollow” is up against ratings monsters, even if they are reality shows (“The Voice” on NBC and “Dancing With The Stars” on ABC), two half-hour sitcoms on another network and a CW show. (“Beauty and the Beast”) To top it off, “Sleepy Hollow” is also a genre procedural in its first season. Top to bottom, it’s remarkably similar to “Agents of S.H.I.E.L.D.”

Here are the ratings/viewer comparison charts between “Sleepy Hollow” and “Agents of S.H.I.E.L.D.”

For the most part, “S.H.I.E.L.D.” and “Sleepy Hollow” are neck and neck for ratings and viewership with a few outliers. Critical reaction is certainly on thing — “S.H.I.E.L.D.” is cited for not living up to expectations, while “Sleepy Hollow” is praised for having exceeded them — the shows both are following similar trajectories in terms of ratings and viewers.

WHAT DOES THIS MEAN FOR “AGENTS OF S.H.I.E.L.D.”?

Despite critics’ evaluations, “Agents of S.H.I.E.L.D.” is performing very well, certainly well enough to understand why ABC chose to commit to a full season order. Any show that can even come close to the constant 3.0 ratings of “NCIS” on Tuesdays is a decently sound investment for ABC. At this point, the only thing that would probably prevent the series’ renewal is if the numbers start to trend downward beyond normal show attrition.

That said, if “Sleepy Hollow” is bringing in the ratings it does on a night largely devoid of scripted television and continues its climb as critics’ it girl of the 2013-2014 season, imagine what “Agents of S.H.I.E.L.D.’s” ratings would be like if it were getting similar acclaim.

Bottom line is, the numbers are very strong for the current market. The fact that the only scripted show “Agents of S.H.I.E.L.D.” can’t beat in its timeslot is “NCIS” makes it a much more likely bet for ABC renewal — especially given the .2 gain each week in the ratings since November 12.

All data sourced from TV by the Numbers.

Batman-404-Covervia Newsarama

A 10-year-old Bruce Wayne, that is…

TV Show Auditions is reporting Friday that pre-teen Bruce is among the roles currently being cast as series regulars on Fox’s upcoming Batman ‘prequel’ TV series Gotham.

The show has already received a straight-to-series commitment with The Mentalistcreator Bruno Heller serving as executive producer, head writer, and showrunner.

As previously announced Gotham will explore “the origin stories of Commissioner James Gordon and the villains who made Gotham City famous.”

According to Deadline at the time of the series announcement, Gordon is still a detective with the Gotham City Police Department and has yet to meet Batman, who will not be part of the series. However, TV Show Auditions reports the series will center on “Gotham City PD rookie homicide detective James Gordon who investigates the double murder of Thomas and Martha Wayne,” putting the show firmly in the formative years of Bruce Wayne’s youth and the Batman mythos.

“Set in the early days of James Gordon’s police tenure, when he meets a boy named Bruce Wayne…” the casting call description on the series reportedly reads.

If accurate, it would almost certainly follow Alfred would be among the regular cast members as well.

Shooting on the pilot will reportedly begin in March. No roles have been cast as of Friday,TV Show Auditions reports.

1X09 – King of Hearts
Air Date: 12/06/2013
Magneto requires the services of a certain thief, one who has a tendency to get more than he bargains for, especially when a damsel in distress is involved.

via Screenrant

Simon Kinberg To Help Build ‘X-Men’ & ‘Fantastic Four’ Franchises

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X Men Fantastic Four Universes Simon Kinberg To Help Build X Men & Fantastic Four Franchises

In the midst of one of the busiest weeks of superhero movie news ever, X-Men: Days of Future Past director Bryan Singer surprised everyone yesterday when namedropping another X-Men film for 2016, one that would include one of the greatest villains from the comics in Apocalypse. It was strange for several reasons; there were no reports or leaks that such a project was in the works and it didn’t come from Twentieth Century Fox directly.

We had heard however that Singer and co-writer Simon Kinberg at least had ideas for what would go next, what Days of Future Past could build towards, and now we know. It was Kinberg after all, who pitched the Days of Future Past story idea to then-director Matthew Vaughn early on as a way to not only bring back the First Class cast but to bring back faces from the original X-Men trilogy – something the studio very much wanted. As we know now, there are even bigger plans in the works, and Kinberg will have a major role to play in the future of the franchise.

THR was given the scoop on Kinberg’s newly signed deal with Twentieth Century Fox. It’s a three-year first-look contract where he will help develop and oversee Fox’s own Marvel cinematic universe. He’s currently not only writing and producing X-Men: Days of Future Past, but he’s also producing the studio’s Fantastic Four reboot alongside Matthew Vaughn (also heavily involved with the X-films), a project that consultant and comics writer Mark Millar that says will lead to an eventual crossover.

 ”I have a lot of ideas on how to built those brands and do what everybody is thinking of these days: Be like Marvel. I want to be able to build stories over multiple movies.”

X Men Apocalypse Movie 2016 Simon Kinberg To Help Build X Men & Fantastic Four Franchises

Singer’s X-Men: Apocalypse shocker yesterday is undoubtedly part of this (a continuing story for Days of Future Past), and the timing of that announcement goes hand-in-hand with Kinberg’s official involvement. By all accounts, Fox is aiming to take advantage of the Marvel intellectual properties they still own the rights too (they lost Daredevil last year) and it’s possible we’ll finally see them not only release an X-Men or FF film annually, but move to two pictures per year.

  • 2014: X-Men: Days of Future Past
  • 2015: Fantastic Four
  • 2016: X-Men: Apocalypse

Another comic book insider in Deadpool creator Rob Liefeld confirmed this week that Jeff Wadlow’s (Kick-Ass 2screenplay for an X-Force film is complete. Wadlow was tapped to write that for Fox after pitching the idea for more team-based movies. There’s also the highly praised finished script for Deadpool by Rhett Reese and Paul Wernick, another project that’s just waiting for the Fox greenlight. And we just found out in recent weeks that The Wolverine director James Mangold and franchise star Hugh Jackman are working on a story for Wolverine 3.

So, where do these all fit in? They don’t unless Fox pushes production to two films per year, something Marvel Studios has built themselves up to do and something Warner Bros. is reportedly considering for some of their characters as well. According to Liefeld, who’s been tweeting about X-Men characters Deadpool and Cable for years now, it’s possible to see X-Force and a Deadpool spinoff within six months to a year of one another.

If X-Men: Days of Future Past with its pushed up date of May 2014 is a big as Fox hopes it to be (and as good as Hugh Jackman says it is) and they can get close to that billion dollar milestone, expect an onslaught of reports and announcements in the following weeks and months. Days of Future Past might be the most expensive superhero movie ever made and the studio is taking it very seriously and banking on it to relaunch a much larger franchise. That’s why Kinberg (who’s hitting it big these days, also writing a Star Wars spinoff for Disney) is now a part of the Fox-Marvel family for the long haul and why guys like Mark Millar were brought into the fold.

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The Wolverine is now available on home video, X-Men: Days of Future Past hits theaters May 23, 2014. Fantastic Four opens June 19, 2015X-Men: Apocalypse is planned for a 2016 release.