Posts Tagged ‘BleedingCool’

I’m not sure how much truth there is in this, and there is always development hell, but I need more information and facts before I can really decide what to think about this.

via BleedingCool

Bleeding Cool’s Hollywood sources (which also brought you the news that Warners were shipping round a Supergirl series – though we did get the producer wrong) have just landed us a massive trout, flapping around on the Bleeding Cool deck.

That Fox are currently in deep development on a live-action X-Men TV show. And are starting to get interest in that as well. Which is how it leaked to us.

No details whatsoever. And right now, no way of getting any. Hopefully, as a result of this article, someone like Deadline will do the heavy lifting.

Or maybe someone will mention it at NYCC? We’ll keep our ears open.

And looks like soon it may be time to add X-Men to The Strain, The Walking Dead, Daredevil, Flash, Arrow, Constantine, Gotham, Powers, Jessica Jones, Iron Fist, Luke Cage, The Defenders, Agents Of SHIELD, Agent Carter, Supergirl and all the other comic book-based TV shows coming down the pipe.

Over a decade ago, Marvel created the show Mutant X, but legal pressure from Fox saw them have to distance the show from the X-Men as much as possible. Won’t be a problem this time… could I suggest that the New X-Men series by Grant Morrison might make for interesting source material?

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via BleedingCool

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Peter David has been inspired by Google as a corporation getting into new areas of business… And All New X-Factor is about an Internet search corporation Serval Industries, creating its own superhero team, after buying the name from Jamie Madrox. We get Polaris, Quicksilver and… Gambit. With three more to come…

Since Gambit’s solo and Astonishing X-Men ended, he looked to be in limbo. He’s going to return in All-New X-Factor from Peter David. Not only that, but half-siblings Polaris and Quicksilver are going to be working together? And on what seems to be a paid super hero team set up by the MU version of Google? This.. should be really interesting… to say the least.

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From BleedingCool

Posted on July 9, 2013 by Brendon Connelly

league of extraordinary gentlemenThough I’m sure Alan Moore won’t have many nice things to say about it, 20th Century Televison and their partners at Fox have committed to a new TV adaptation of The League of Extraordinary Gentlemen, the exceptional comic book series that blends a staggering amount of fictional universes into one, from the worlds of Bram Stoker, HG Wells and Conan Doyle to those of JK Rowling, George Orwell and W. Somerset Maugham.

I’m sure that many of you will recall the adventure-focused Stephen Norrington movie of some ten years back, or the legal shenanigans that followed when Larry Cohen filed a suit alleging Fox had stolen the idea from his rejected pitch, Cast of Characters.

The comics, co-created and superbly illustrated by Kevin O’Neill, are rich and complex and could give rise to years worth of TV, maybe even following their multi-era structure of the comics.

Or, of course, they could be essayed into a lowest common denominator “Steampunk Justice League of the library.”

The only indicator of potential success or failure we have so far is that Michael Green, a writer on Smallville, Green Lantern and Heroes, will be the writer and executive producer.

According to The Hollywood Reporter, the series is being developed with a “put pilot” deal in place. This means that there will be a financial penalty to pay if the show doesn’t go to air.

Of course, Fox are past masters are cutting a show off after just a few episodes, or at least before its due, and for all we know, that could the fate of these Gentlemen too.

Meanwhile, over at Showtime, John Logan, Sam Mendes and JA Bayona are working on the similarly themed Penny Dreadful

 

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From BleedingCool

Rumour: Christian Bale To Play Batman In Justice League, Directed By Zack Snyder, Produced By Christopher NolanWhen it comes to shared-universe comic book movies – which are, like, so in right now – Warner Bros. are definitely playing catch up. But they do seem to be moving with competitive speed.

According to “knowledgeable people close to the studio,” and quoted by The Wall Street Journal, Warners are looking to fast track a sequel to Man of Steel for release in 2014. That would probably mean they have to get into production in the next six, maybe nine months.

And what’s more, the nameless, knowledgable ones say that the Justice League movie:

could come out as soon as 2015.

Which is actually what we were expecting a half-dozen set backs ago. I guess box office like Man of Steel‘s can really light a fire.

Films can be turned around this quickly and still turn out well, but I am always disappointed by the studios’ insistance on setting release dates before they even have screenplays, let alone actual films.

If Warner Bros. really want to play Marvel at their own game expect locked-in release dates announced by, or maybe at, San Diego Comic-Con.

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From BleedingCool

guardians-of-the-galaxy

As pre-production work on Guardians of the Galaxy draws Marvel’s ambitious sci-fi epic ever closer to shooting, some specifics of the plot are finally starting to leak out. It seems, from these scraps, that certain details have been changed from the original comic books, and there’s a whole patchwork of interrelated ideas and characters drawn together into something rather new. You may consider some of what follows to be rather spoilery.

First of all, let’s address Rhomann Dey. According to HitFix, Marvel have made an offer to John C. Reilly to take this part, “the Agent Coulson of the Guardians movies.” In the comics though, Dey is the head of the Nova Corps. and not a human being from planet Earth. Why the change? Well, it looks like they’ve mixed up some elements of his storyline, which originally saw him select Earthling Richard Rider to join the Nova Corps. It’s not clear, as yet, but those story pieces seem to have been rewoven somewhat…

What’s more, Dey will have a key liaison back on Earth and, while Marvel haven’t settled on any actor yet, they’ve apparently been looking at Hugh Laurie, Alan Rickman, Ken Watanabe… basically, anybody filed under A for Authorative at Casting Central.

We do know that the Nova Corps. are in the film, and not just because Nova ships appeared in some of the concept art. It seems they’ve been reworked, as you might expect, but it worked – is still working, and will continue to work, I expect, with SHIELD, so I see no reason to worry.

Just because the film is going full-on Galactic, it doesn’t mean we won’t be seeing any of the characters from previous Marvel movies. Nick Fury, for example, is set to play an important part when he convinces Groot not to experiment on the human race but to respect and assist them instead. Drax still has his human origins, having been a saxophone player called Art who was killed by Thanos in the Mojave Desert.

While Hit Fix believe that Zoe Saldana hasn’t yet committed to the part of Gamora, there can’t be a lot between her and that final dotted line, what with costume and make-up already in advanced stages of development and testing.

The movie version of Gamora was raised by Thanos and trained to be a deadly killer for his forces, but as soon as she realised what nefarious naughtiness he had on the cards, she went on the run. She’s now looking to put her super strength, super speed and super knife fighting skills to use on the side of the good guys.

It’s not clear how all of the characters will come together, but we can expect to meet Rocket Raccoon alongside his buddy Wal Russ – another anthropomorphic animal, and if any of you think you can guess which kind, I’ll accept answers on a postcard or the back of stuck down envelope. The two critters are initially employed at The Keystone Quadrant, the intergalactic asylum for those who are criminally insane at a cosmic level.

The villain of the film, according to current info, is Michael Rooker as Yondu who, as I previously understood it, was a member of a different Guardians lineup in the comics and not just some kind of space pirate. But yes, Marvel Movieverse rewiring has often been pretty dramatic, but it’s almost always effective.

Also billed as a villain is the role that Lee Pace has taken, but we don’t know – yet – just who that is. Interestingly, though, it’s suggested that he’s being set up for his own spin-off movies, at least in theory. Not that Marvel are looking to make a movie named for and centred around a bad guy – Guardians will see the character switching sides.

I can’t even start to guess who he might be but it’s good to know Pace will get a nice meaty part, though.

There’s still more polishing to be done to the screenplay, with Marvel stalwarts Christopher Markus and Stephen McFeely taking the pages through this final scrub-up. Still, planning is at a very advanced stage and there are, relatively speaking, very few pieces left to click into place.

Guardians of the Galaxy is set for release in August of next year. It certainly looks like this one is going to be a big, wild, unpredictable adventure, and I hope James Gunn can really knock it out of the park. I certainly respect the ambition and free-wheeling invention the production has shot for so far.

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It’s a long-argued debate whether or not video games, movies, television, and comics have a definitive and quantifiable effect on how violent children and teenagers are. My argument has always been: If these things directly caused kids to be violent then the world would be in ashes by now. That, however, is not a very scientific argument.

This article from BleedingCool shows what happens when science is applied and mis-applied to that old debate.

Dr Fredric Wertham Lied And Lied And Lied About Comics

The Illinois News Bureau reports, (with the most condescending and predictable headline you can imagine, even for Bleeding Cool) that Dr Fredric Wertham, author of Seduction Of The Innocent, the book that inspired government hearings about the content of comic books, saw sales plummet from the bad publicity, and eventually leading to the establishment of the Comics Code – was made up. Or at least large chunks of his supporting data was. University of Illinois assistant professor Carol L. Tilley submitted to the Information and Culture: A Journal of History;

Seducing the Innocent: Fredric Wertham and the Falsifications that Helped Condemn Comics(383-413).

Psychiatrist Fredric Wertham and his 1954 book Seduction of the Innocent serve as historical and cultural touchstones of the anti-comics movement in the United States during the 1940s and 1950s. Although there have been persistent concerns about the clinical evidence Wertham used as the basis for Seduction, his sources were made widely available only in 2010. This paper documents specific examples of how Wertham manipulated, overstated, compromised, and fabricated evidence—especially that evidence he attributed to personal clinical research with young people—for rhetorical gain.

The Bureau reports;

“Lots of people have suspected for years that Wertham fudged his so-called clinical evidence in arguing against comics, but there’s been no proof,” Tilley said. “My research is the first definitive indication that he misrepresented and altered children’s own words about comics.”

For example, in “Seduction,” Wertham links “Batman” comic books to the case of a 13-year-old boy on probation and receiving counseling for sexual abuse of another boy: “Like many other homo-erotically inclined children, he was a special devotee of Batman: ‘Sometimes I read them over and over again. … It could be that Batman did something with Robin like I did with the younger boy.’ ”

What Tilley found in Wertham’s notes, however, was that the boy preferred “Superman,” “Crime Does Not Pay” and “war comics” over “Batman,” and that he had previously been sexually assaulted by the other boy – all information that Wertham left out.

He had an extensive case file on a 15-year-old boy named Carlisle, whom he was counseling for truancy, petty thievery and gang membership. Carlisle brought three comic books to one counseling session, and the transcript in Wertham’s file shows that Carlisle said one of the comic books, called “Crime Must Pay the Penalty,” was instructive on ways to commit burglaries and holdups. However, in “Seduction,” Carlisle’s quotes appear to come from five different boys, ranging in age from 13 to 15, in different settings and contexts.

And Tilley found one quote from Carlisle’s transcripts that Wertham chose not to use, in which the boy described learning about robbery “in the movies. Movies help a lot.”

Tilley’s article also cites the case of Dorothy, a 13-year-old whose chronic truancy Wertham ascribed to her admiration for the comic book heroine Sheena and “crime comics,” omitting any mention of other factors listed in her case notes, such as her low intelligence, her reading disability, her gang membership, her sexual activity and her status as a runaway. Wertham also didn’t reveal that he never personally met or observed Dorothy; she was the patient of his associate, Dr. Hilde Mosse.

And she’s also heading in a rather intriguing direction;

Her research turned up a few other surprises: about 30 letters written to Wertham and another 200 or so sent to the Senate subcommittee by children trying to save their access to comic books. Other researchers have mentioned the missives sent to the subcommittee, but Tilley decided the young writers’ arguments deserved more attention. “Some of them talked about fairy tales and folk tales, Poe and Shakespeare, and said this stuff has murder and sex and traumatic events too, but you call that good literature,” Tilley said. She is in the process of locating as many of these letter-writers as she can find, for her research on how kids related to comics over time. “For most of them, my contact is the first acknowledgement they’ve had in 60 years that anybody read their letter.”

Anyone fancy adapting those into comics, Duplex Planet Illustrated style?

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