Posts Tagged ‘comics’

Deadpool Killustrated #2Killustrated #2 totally makes up for Killustrated #1.

#1 suffered that major failing of spending way too much time setting up what was going on… especially when the something going on is Deadpool who really doesn’t need a reason to do anything that he does… he’s freaking Deadpool.

#2 has Deadpool going after more of the classics but instead of just simply hacking off heads, the literary archetypes seem to morph at will into the various classic Marvel characters that took inspiration from them. Such as Dracula looking a little Sinister, the Headless Horsemen becoming both Ghost Rider and Green Goblin, and my favorite, the girls of Little Women turning into Black Widow, She-Hulk, Elektra, and Mockingbird. Those Little Women beat the snot out of Deadpool… that was classy.

In all this, our favorite detective, Sherlock Holmes (the Basil Rathbone version), has discovered Deadpool is afoot and put a gang together to stop him. And it’s a pretty random group of Beowulf, Natty Bumpo, and Mulan (someone watching Once Upon a Time recently?).

The only real bad thing I have to say about this issue is that Tom Sawyer gets killed ‘off camera’, and while it’s really well done, I can’t help but think he might have morphed into Remy LeBeau… guess we’ll have to wait and see if Deadpool is going to take on Oliver Twist… then we might get a glimpse of our lovable Cajun…

and yes, sometimes I do have a one track mind…

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Uncanny Avengers #4Rick Remender has lost his mind.

Maybe Red Skull stole it like he did Xavier’s, I dunno, but seriously, what the hell is going on with this title?

The last issue I complained about Scarlet Witch standing around and doing nothing, in this issue Wanda takes on a mind-bended Thor with some uber-skills… which apparently she didn’t have five minutes earlier to use on Red Skull in the first place! But she still needs to be assisted by Havok.

Then Rogue does exactly as I said she should, absorb one of the baddies… only to get taken down by a non-lethal gun shot wound to the shoulder. Um, hello, this is a) a comic were characters can get hit by a freaking bus and shrug it off, and b) this is raised-as-a-terrorist-by-Mystique Rogue… I’m pretty sure she could shake off a wound like that as easily as James Bond could to at least avoid getting the crap beat out of her by a mind-bended Havok, who, of course, had to save Rogue seconds before from getting a presumably lethal wound because Rogue apparently doesn’t know how to duck and cover while Red Skull takes the time to pull out a gun… all while warning her he has a gun?

I swear, this comic is like a bad Havok fan fic where the writer is pulling all other characters down just to highlight their favorite character… which is a major fail for fan fic writing, let alone pro-fic! The fact that Havok gets the first little ‘origin’ moment and Wolvie is completely out of sight and apparently a little (okay, a lot) slower to heal than usual only seems to prove my point.

All those issues aside… what the hell is Remender writing? A comic book or a personal soap-box? Sure, comics can hold underlying social themes which make us look at ourselves through cross sections of our own existence… but whatever Remender is doing here is literally one step below a full-blown blog-rant. He got off talking about bloody violence in #3 and now in #4 he gets off on completely degrading the United States. Now, I’m the first to admit that the USA has its problems… but what the hell? I know it’s coming out of Red Skull’s mouth so of course he’s bias… but Remender chose to take that POV and to go into that much depth and description of how crappy things are…

And then Remender goes and echo’s the famous Days of Future Past cover… oh hell no… you ain’t even f’ing close to holding a candle to Claremont.

Argh!

Yes, you heard me, ARGH!

Top that off with a very hypocritical Rogue being petty towards Wanda… dur… Rogue was a freaking terrorist who turned her life around… I think she could cut Wanda some slack for something Wanda did when she went insane cause her children died…

You hear that? That’s the sound of me repeatedly banging my head against the wall…

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Review: Morbius #2

Morbius #2Ignore the Rocky Horror Picture Show cover, Meatloaf does not make an appearance. Don’t let that discourage you though.

The second issue of the new solo series for Vampire-ish Michael Morbius doesn’t have quite the zing as the first issue but it’s still a really good read.

Right now, Morbius is a reactive character. Things are happening around him and most of the story is told through the eyes of everyone else. Morbius is simply finding himself in the middle of a situation where he realizes he has to take the high road, or maybe the low road, or really, whatever road isn’t under construction.

This is a nice change from how most of the solo issues are running at the moment where the lead character is more proactive, which is good for a heroic character. However, if you want to do a true anti-hero then what Keatinge is doing with Morbius is exactly the way to go.

Anti-heroes are the anti-hero because they don’t want to be the hero, they don’t want to get involved, they don’t want to take the moral high ground. Characters like Wolverine have long moved past being able to call themselves ‘the anti-hero’ because they are actively trying to do good. With Morbius it’s great to see an anti-hero in its raw form. There is so much possibility for character development that this alone is enough to make me a tad giddy.

I really can’t wait to see where this goes…

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Review: Gambit #9

Gambit #9And here we have the best Gambit issue yet. I’m not even sure where to start it was so much fun.

First you have all the references… from fun poked at 90s era Gambit… to Gambit being called “tight pants” (Firefly reference or astute observation?).

Gambit pick-pockets a whole club without breaking a sweat.

Gambit’s damsel-in-distress-pathy (really need a good name for that) is in full force.

There is a plethora of quick and witty dialogue:

Mook#1: Hey–is that that X-Men guy…. Gambit?
Mook#2: Yes, and this may prove to be a curious case-study in this establishment’s policy on anti-heroes.
Mook#1: Pff, you nerd.

To top it all off, you have a cameo from Rogue which could have come straight out of a good fan fic. (This is a compliment btw.)

Joelle even graduates from annoying to mildly acceptable.

It feels like Asmus has really started to get a good handle on Gambit as a character and that is shining through the pages. It’s fun, it’s dangerous, it’s James Bond if he was a good ol’ Southern boy. If you know anyone who has stopped reading, tell them to pick up this issue and keep going, it just keeps getting better.

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Review: Deadpool #5

Deadpool #5Deadpool just keeps getting grosser and messier. From the writing to the actual visuals… it’s just a bit disgusting really.

The story itself hasn’t really moved much beyond some balls-to-the-walls presidential butt-kicking… but even that is losing its charm. (Also, how in the world were those monkeys up there that whole time?)

Even the cliff-hanger ending of this issue is less than spectacular. Deadpool will heal and there is a Necromancer handy to take care of the S.H.I.E.L.D. agent. We can see the next issue a mile away, the only surprise would be the agent not being brought back to life (or not beind turned into a zombie-like-fiend). Though even if she does die, maybe ol’ Ben can get a friend now?

There seems to be a trend of a lack of complexity with Deadpool in the last couple of issues… nothing has been touched on Dr Strange’s comments as well. While I do like a plethora of fun jokes at Deadpool’s expense, he’s a real character with real depth… let’s hope we’re getting to that…

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Review: Uncanny X-Men #1

Uncanny X-Men #1The last Uncanny X-Men run was short and ended on a pretty high note, I was sorry to see it go. So when the new run started, I wanted to give it a chance.

It was… interesting.

We know Scott Summers has lost his mind (or doing what needs to be done depending on what side you want to take) and is leading a bit of a mutant revolution. In his gang is Emma, Magneto, Illyana and a couple of newbies, all of which got swanky new uniforms. Which brings me to a side note: Emma Frost wearing something other than white… is this a sign of the apocalypse?

Not a whole lot happens in this story, action wise, and that’s okay, because it’s a very nice set up story. Someone, who remains in the shadows, is telling Director Hill all about Scott Summers and how he’s barely holding it all together. That someone… is Magneto.

Yeah, if Magneto thinks you’re arrogant and a ‘murdering monster’ who needs to be stopped… you got problems.

So like I said, interesting turn of events, we shall see how they play out.

Oh, as for ol’ Mags… what happened to your hair?!? Rogue dump you so you decided to try the Bruce Willis look?

 

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Wolverine & and the X-Men #25I heart you Quentin Quire. Just goes to show I have bad tastes in men.

Yes, this latest issue of WatX is about getting Wolverine’s brother, Dog, on the scene and setting up for some brotherly butt-kicking, but really, Quentin is the star of WatX #25.

The whole concept of the story arc is Wolverine decides to take a ‘tough love’ approach to some of the problematic and soft students (seemingly proving Mystique’s point from All-New X-Men and being a bit hypocritical towards disagreeing with old Cyclops view of child-rearing). Logan decides that instead of doing one of those weekend camping trips, he’d just drop him into the middle of the Savage Land and let them find their way back to the Blackbird.

Quentin, for his part, tried to be responsible, but his tact was definitely lacking. He’s not an inherently bad person. He acts like a rebel and anarchist but in reality, if he truly wanted to leave then he could have already done so, or destroyed the school. He’s shown on more than one occasion that when it comes down to the wire, he’ll do the right thing… or a close proximity there of.

Logan says it’s because Quentin likes being the big fish in the little pond of the Jean Grey School… but I think it’s more of Quentin not really knowing how else to be. Plus being the rebel is pretty fun.

Quentin Quire really could be the next great Anti-Hero in the X-Men franchise… if he can survive the Jean Grey School.

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X-Treme X-Men #9

X-Treme X-Men #9

On the tail of learning that X-Treme X-Men has been cancelled, issue number 9 was released. I have to admit, I took my time getting to it because I’ve enjoyed X-Treme’s run so much and didn’t really want it to be over so soon.

I did break down and read issue 9 and, amazingly, I was kinda disappointed. For the first time since issue 3, there was a drop in the quality of the storytelling. It wasn’t a bad issue, just, well, kinda basic and predictable.

Nothing very special about Dazzler surviving her stabbing. Nothing too off-kilter about the current world. Then the alt-Dazzler storyline is neatly wrapped up and she’s out of the picture.

Considering some of the stuff that has happened in these comics and how they have been defying convention, I just expected more. This wouldn’t have been enough to make me consider dropping the title (if it wasn’t already cancelled), but I really do hope this was just a dip and that the title will go out with a bang.

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It’s a long-argued debate whether or not video games, movies, television, and comics have a definitive and quantifiable effect on how violent children and teenagers are. My argument has always been: If these things directly caused kids to be violent then the world would be in ashes by now. That, however, is not a very scientific argument.

This article from BleedingCool shows what happens when science is applied and mis-applied to that old debate.

Dr Fredric Wertham Lied And Lied And Lied About Comics

The Illinois News Bureau reports, (with the most condescending and predictable headline you can imagine, even for Bleeding Cool) that Dr Fredric Wertham, author of Seduction Of The Innocent, the book that inspired government hearings about the content of comic books, saw sales plummet from the bad publicity, and eventually leading to the establishment of the Comics Code – was made up. Or at least large chunks of his supporting data was. University of Illinois assistant professor Carol L. Tilley submitted to the Information and Culture: A Journal of History;

Seducing the Innocent: Fredric Wertham and the Falsifications that Helped Condemn Comics(383-413).

Psychiatrist Fredric Wertham and his 1954 book Seduction of the Innocent serve as historical and cultural touchstones of the anti-comics movement in the United States during the 1940s and 1950s. Although there have been persistent concerns about the clinical evidence Wertham used as the basis for Seduction, his sources were made widely available only in 2010. This paper documents specific examples of how Wertham manipulated, overstated, compromised, and fabricated evidence—especially that evidence he attributed to personal clinical research with young people—for rhetorical gain.

The Bureau reports;

“Lots of people have suspected for years that Wertham fudged his so-called clinical evidence in arguing against comics, but there’s been no proof,” Tilley said. “My research is the first definitive indication that he misrepresented and altered children’s own words about comics.”

For example, in “Seduction,” Wertham links “Batman” comic books to the case of a 13-year-old boy on probation and receiving counseling for sexual abuse of another boy: “Like many other homo-erotically inclined children, he was a special devotee of Batman: ‘Sometimes I read them over and over again. … It could be that Batman did something with Robin like I did with the younger boy.’ ”

What Tilley found in Wertham’s notes, however, was that the boy preferred “Superman,” “Crime Does Not Pay” and “war comics” over “Batman,” and that he had previously been sexually assaulted by the other boy – all information that Wertham left out.

He had an extensive case file on a 15-year-old boy named Carlisle, whom he was counseling for truancy, petty thievery and gang membership. Carlisle brought three comic books to one counseling session, and the transcript in Wertham’s file shows that Carlisle said one of the comic books, called “Crime Must Pay the Penalty,” was instructive on ways to commit burglaries and holdups. However, in “Seduction,” Carlisle’s quotes appear to come from five different boys, ranging in age from 13 to 15, in different settings and contexts.

And Tilley found one quote from Carlisle’s transcripts that Wertham chose not to use, in which the boy described learning about robbery “in the movies. Movies help a lot.”

Tilley’s article also cites the case of Dorothy, a 13-year-old whose chronic truancy Wertham ascribed to her admiration for the comic book heroine Sheena and “crime comics,” omitting any mention of other factors listed in her case notes, such as her low intelligence, her reading disability, her gang membership, her sexual activity and her status as a runaway. Wertham also didn’t reveal that he never personally met or observed Dorothy; she was the patient of his associate, Dr. Hilde Mosse.

And she’s also heading in a rather intriguing direction;

Her research turned up a few other surprises: about 30 letters written to Wertham and another 200 or so sent to the Senate subcommittee by children trying to save their access to comic books. Other researchers have mentioned the missives sent to the subcommittee, but Tilley decided the young writers’ arguments deserved more attention. “Some of them talked about fairy tales and folk tales, Poe and Shakespeare, and said this stuff has murder and sex and traumatic events too, but you call that good literature,” Tilley said. She is in the process of locating as many of these letter-writers as she can find, for her research on how kids related to comics over time. “For most of them, my contact is the first acknowledgement they’ve had in 60 years that anybody read their letter.”

Anyone fancy adapting those into comics, Duplex Planet Illustrated style?

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All-New X-Men #7Can we just stop and give a round of applause to Mystique?

I mean, seriously, I was on the fence about how she was going to come into things and what she wanted with Scott… but she really just blew me away here. I could go on for ages about her short but important role in this issue, but it all comes down to this: She treated young Scott like who he is, not who he will be.

True, she had her own motives. True, she may have just set off a time bomb. But so far no one has actually sat down and just talked to Scott, listened to him, accepted that he’s not the same person as old Scott. She didn’t pre-judge him. She was sympathetic and listened. It was one of the most honest and legit conversations Scott has had since he got there.

Which means because she had the audacity to treat him like a person, she’s had the biggest impact, for better or for worse. If the X-Men had simply treated young Scott with the same courtesy, then we wouldn’t be in the mess this is surely going to make.

A few other nice touches in this issue (which, at this point, I’m going to say is the best issue so far) is the bank lady who so much wanted to ‘be a mutant’ because being human is so boring.

“Everyone has something that makes them special.”

I heart you Scott, please don’t change into old Scott, please be spared suffering through an onslaught of writers using you as their whipping boy.

Also, Kitty makes an interesting teacher, focusing on combat training which only seems to prove Mystique’s point. Of course this is subtly hid under some fun young Bobby moments. He’s just so adorable in an annoying kind of way.

And the end, well, that’s food for thought… was Scott trying to remind Jean that he isn’t his future, right now he’s only his past, which included an undying love for her? Or was that Scott’s way of giving up, accepting that they will never have what they once had.

With the Avengers showing up in the next issue… only time will tell.

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