Archive for 2013

X-Files: Season 10 #1Okay, so I started this blog intending to mainly focus on X-Men, Marvel, and Fan Fiction, I wasn’t going to review the other stuff I read such as Suicide Squad and Wood’s Star Wars. In fact, I don’t review every Marvel title I read either (why am I still reading Thunderbolts?)… but The X-Files television series is really what shaped me as a writer, how I put things together like plot, pacing, etc. Mulder and Scully were strong characters and when the show was good, it was beyond good. Though, when it was bad, it was beyond bad (I’ll never forgive Chris Carter for that finale).

So when I heard they were doing a Season 10 comic book ala Buffy and Angel, I knew I had to get it. (Actually, I got four of them, I have a compulsion when it comes to variant covers.)

I was… disappointed. But that may just be because I set the pedestal very high.

I’m going to look past the artwork because while it’s not especially good, it’s not terribly bad either. I mean, at least the actors look like themselves and aren’t demonic like in X-Men Legacy. A friend did point out that Scully starts out in a skirt and magically changes into pants when she meets Skinner… suddenly I’m reminded of the Hollywood A.D. episode… anyway, we’ll move past that for now.

It starts out with a typical “Scully in peril” trope from the tv show which is cool, I mean, it’s classic… but the rest of it just kinda slowly goes down hill. Mulder has regressed to his kiddish nature as seen in the pilot episode and throughout the first season. He’s grown a lot since then and it just didn’t seem to fit for him to be that much like a ten year old. And Scully, seeing her cry just didn’t work for me either. I get she was talking about the child they gave up but Scully was never one to express her sorrow so easily, it was usually after a much larger buildup.

Speaking of William… while I like that they are going to address that sore spot of a plot-point in the series, if they don’t handle it properly, it will just make the wound that much more painful.

That being said, it wasn’t a bad comic in and of itself. It didn’t try to drown the reader in exposition and even though it obviously assumes you have seen the tv series it isn’t so riddled with drop-ins as to annoy someone who might be interested in getting into the comic books.

I think mostly I was expecting to open it up and be able to hear Mark Snow’s theme music as I read the pages… and that just didn’t happen. I couldn’t help but put the pedestal to unreachable heights, I can at least acknowledge that.

But I am very much interested in seeing where this goes, and what the Lone Gunman have to do with it… seeing that they’re dead and all (though one can never be too sure).

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Shailene Woodley as Mary JaneThe news is all over the place and I saw it first on BleedingCool, but Shailene Woodley’s role as Mary Jane Watson in the Amazing Spider-Man 2 has been cut from the film. There are several reasons this could have happened, two very big ones. Firstly, since she only filmed a couple of days it’s likely her role was just introductory and had nothing to do with the main plot meaning if they needed to cut something for time it’s that kind of sub-plot that would be the first thing to go. Secondly, as BleedingCool pointed out, since film makers are looking into the future now with probably two more films, they might want to hold off on MJ’s introduction instead of trying to cram her in.

Both are legit reasons that I’ll support.

However, there is one possible reason that I really hope isn’t it. You see, there was a lot of backlash against Shailene being picked to play Mary Jane. For some reason, a bunch of insolent fanboys have got it into their head that Shailene isn’t pretty enough. WTF? Here is a quote from the CinemaBlend article If You Think Shailene Woodley Isn’t Pretty Enough For The Amazing Spider-Man 2, You Don’t Deserve The Movie:

Yesterday we posted the first on-set images of Shailene Woodley as Mary Jane in The Amazing Spider-Man 2, currently in production in New York. Because they were pictures of an actress walking from place to place on the set, not in costume, the notable difference was seeing her hair tinted to Mary Jane’s signature red. Honestly, the photos weren’t that interesting. Until the comments started.

“Omg she looks horrible I hope they can do something with that face of hers.” “Mary Jane is supposed to be hot.” “Looks horrible as a redhead.” The comments on our site weren’t actually as bad as they were elsewhere on the Internet, and not half as bad as the so-called satire posted at Comic Book Movie, with instructions on how to make Woodley hot enough to play “every nerd’s wet dream.” The “satire” was so close to the real thing that most of their commenters didn’t get the difference, and reading it makes your skin crawl because you just know that’s exactly how a strong handful of fanboys feel, no irony intended.

It is so bad that when I typed ‘shailene woodley mary jane’ into Google to get a photograph it auto-suggested ‘shailene woodley mary jane ugly’. I have never done a search on her name before so that was something Google pulled up from the internet itself.

Really guys?

REALLY?!?

Just when I feel the need to defend fanboys against rampant complaints of how sexist and hostile the fandom can be towards women, I run across something like this.

If the hate was more of a ‘we prefer Gwen Stacey’s character’ or ‘Dunst is a better actress’ then I can see that being a decent debate. I also understand that everyone has a slightly different view of beauty. But to just go off and say that this lovely young woman is ugly and that Mary Jane only exists as a wet dream for nerds? That’s not a legitimate complaint, that’s a request for a swift kick to the balls. One I’ll happily oblige.

Maybe I’ve been blissfully innocent, but I’ve never seen this amount of hate towards the casting of a character based solely on his/her looks. I’ve seen complaints about how someone can’t act or how someone looks nothing like their character (and by nothing I mean changing big stuff like race/gender) but not vehement complaints of how they are ugly and not pretty enough. So maybe the MJ fanboys are the ‘asshole in every group’, after all, the comic book world fandom is quiet vast and there is one is every group…

Anyway, if Shailene was nixed for time or to give her introduction a more solid foundation, then I’m cool with that. But if the filmmakers bowed down like some shameless sycophants… then stop the world cause I’m 110% done and I want off.

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Bryan Singer has sent us another clue to the storyline that DOFP will be following.

https://twitter.com/BryanSinger/status/347043471040856064

First off, this confirms that the mutants did attend the Paris Peace Accords of 1973 as previously assumed. Also, the scene with Nixon which was also teased more than likely directly relates to him giving the speech which is shown in the photo. The fact that apparently things do not end well in Paris must lead to the introduction of Trask and the Sentinels.

One big issue though… if this is happening in 1973, then why, in X-Men, are mutants talked about as if they are something just now being acknowledge? If in ’73 they pull a big enough stunt that the President is giving a speech to a large body of people at possibly the White House itself (which I think will be green-screened in, the way the front is set up kinda looks right for the White House or the Senate House), then how are they pretty much ‘forgotten’ or considered conjecture/nonsense later on? And, of course, no Sentinels exist in the X1-3!future either outside a danger room session.

So, is this the turning point? Is the DOFP!future not actually the X1-3!future, but an alternate future? Then Bishop (likely) is sent back to make sure whatever happens here causes the X1-3!future to come into existence?

From a franchise perspective, I think that’s a bad move. Making sure the X1-3 movies happen and not changing anything means that the stories have no room to grow between DOFP and X-Men. Nothing can be changed or diverged and the drama is lost because you know what’s going to happen. Sure, in FC we knew what was going to happen eventually, it was how it was going to happen that was the key to why FC managed to pull the franchise up. The closer it gets to X-Men though, they won’t have that luxury. Not to mention a reboot allows new, younger actors to come into established roles and keep things going.

Anyway, as much as the word ‘reboot’ grates on me, at least they are using established canon here which could make it totally legit. But perhaps I’m reading this wrong, there is still a lot we don’t know about this storyline and we could end up very surprised.

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X-Men Legacy #11David Haller is just a bit of a prick, isn’t he, but it works to his advantage.

I mean, who else would just stand up to Red Skull after all the stuff he’s done, both in general and personal against David, and just ‘whatevers’. So you’re Red Skull and you stole my dad’s brain, whoop-tee-do. You kinda have to admire that, even if it’s just a bit insane.

Then there is Ruth, running around trying to find someone to help David and the only person who might actually like him other than her she can’t even communicate with (and here I thought everyone could just understand Doop automatically). But she made herself a little team of some decently powerful superheroes… let’s see if they have what it takes to stand up to both Legion and Red Skull.

As for Red Skull… what is his plans with David? Whatever it is, can’t be good.

P.S. can we get a better artist on this title? Davidson and Huat make everyone look so… emaciated and semi-demonic…

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From BleedingCool

Rumour: Christian Bale To Play Batman In Justice League, Directed By Zack Snyder, Produced By Christopher NolanWhen it comes to shared-universe comic book movies – which are, like, so in right now – Warner Bros. are definitely playing catch up. But they do seem to be moving with competitive speed.

According to “knowledgeable people close to the studio,” and quoted by The Wall Street Journal, Warners are looking to fast track a sequel to Man of Steel for release in 2014. That would probably mean they have to get into production in the next six, maybe nine months.

And what’s more, the nameless, knowledgable ones say that the Justice League movie:

could come out as soon as 2015.

Which is actually what we were expecting a half-dozen set backs ago. I guess box office like Man of Steel‘s can really light a fire.

Films can be turned around this quickly and still turn out well, but I am always disappointed by the studios’ insistance on setting release dates before they even have screenplays, let alone actual films.

If Warner Bros. really want to play Marvel at their own game expect locked-in release dates announced by, or maybe at, San Diego Comic-Con.

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Astonishing X-Men #63Bobby’s kinda lost it… and it’s epic.

It’s good to see that finally everyone has noticed the weather is unnatural and that it could be Bobby’s fault, and that women have started to go missing. Bobby’s ice-clones seem to think they are helping his ex-girlfriends, probably taking them someplace safe for when all ice-hell breaks lose. The thing is, if he has Lorna and Mystique already, then they can do some damage and protect themselves. I wouldn’t underestimate Annie either, ER nurses are a tough lot. But it’s most curious that the clones seemed to have been acting on their own, like they know something is up with Bobby, or the clones just analogues of the part of Bobby that knows what’s happening isn’t right.

Also, Kitty’s conversation with Opal is quite good, especially after Opal’s conversation with Bobby. In only a few short panels Liu manages to really cut to the heart of the jokester Bobby Drake. He’s never been able to keep a girlfriend because he’s always thought he was never good enough for them. His jokes cover a deep depression made worse by being a super-hero.

Then there is the ending, one of the few times that the ‘giant steps on person’ trope actually is funny because it comes out of nowhere and it’s freaking Wolverine he steps on.

But yeah, Bobby has grown immensely with the power of the Death Seed and is now acting out. My local comic book seller had the balls to say “why is this title still going, no one reads it?”… I told him to read the latest arc and that’s exactly why people are reading it. Because Liu is freaking awesome and really knows how to deal with these characters on a more personal basis rather than just as fodder for some grand event.

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Deadpool #11Coming off of the Spideypool issue, we now have Daredevil as a guest star, only it’s less ‘sexual tension’ and more ‘missed opportunity’.

If you know anything about Deadpool then you know he has some bad history with Typhoid Mary. She raped him, not to mention the other emotionally damaging crap she did to him. Daredevil also had some bleak history with the woman as when they first met he accidently pushed her out a window, nearly killing her, and possibly starting her psychotic break.

Now, I don’t really expect a whole issue dealing with this, but the simple fact that it’s just brushed over in a simple statement “Hi Kettle! Meet Black! You used to date Typhoid Mary and run with the Hand” kinda annoys me. That Deadpool would almost belittle what she did to him by using it as a joke, and not even a good joke, makes me wonder if Posehn really understands Deadpool’s history or even accepts that what she did to him was truly rape.

But I’ll accept that this is something of a nitpick seeing as there is a wider story here, but I really hope that Posehn and Marvel take the time to really think about what they are doing with Deadpool as a character and not keep reducing him to a one-note joke.

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Marvel's Rogue TouchI’ve already mentioned in my She-Hulk Diaries review that B&N shipped both books early, but from different warehouses, so I got She-Hulk Diaries before Rogue Touch. I thought this was a good thing as I was sure I’d like She-Hulk better because I didn’t know the character well enough to get upset. It turns out, Rogue Touch is actually the better book, though mostly because it doesn’t insult my intelligence or gender. Not to say Rogue Touch a great book by any means, but at least it didn’t entice me to throw it across the room.

It was basically a serviceable Alt-Universe Fan Fiction written by someone who watched X-Men and skimmed Rogue’s wiki page.

How can I say that? Well, Rogue Touch, mild spoilers by the way, isn’t a book about mutants, heck, it’s barely about one mutant. There is hardly any mention of mutants, and what is mentioned doesn’t track with what you’d expect, i.e. X-Men, Xavier’s, etc. There isn’t a single Marvel Universe related anything in this book. Rogue Touch actually tries to be more of a hard-core sci-fi book with a typical sci-fi theme which isn’t mutant related, at all.

At one point I started to kinda enjoy the book in that ‘turn your brain off, popcorn flick’ kind of way that you do when watching something brainless but entertaining, like Transformers. This was because the non-Marvel, non-mutant, story took over and it was easy to forget that this was a book about Rogue. Then there would be mention of Rogue’s inability to touch James, or James would have another Remy moment (I’ll get to that in a bit), and I’d be reminded. But it’s not as jarring as it sounds, it actually helped me to read it because I just kept thinking to myself that this was another Alt-U fan fic by someone who decided to muck about a bit (only I was obligated to finish it because I paid for it).

It really felt like Woodward was told to do a story about Rogue, then after watching X-Men and skimming her wiki page she decided to take another story she’d written, or wanted to write, and just plugged in Rogue and made it fit. One particular plot point felt like it was lifted straight from X-Men. Then there were casual mentions to things like the Far Banks, which came off to me as ‘name dropping’ seeing as it served no real purpose other than to explain why Rogue had no issues believing in aliens.

Not going to lie, alt-uni fan fics often lift and take pieces of established canon, but normally as a way of saying ‘this was pre-destined’ or in order to flip it on its head. There is always that connection to the source material. Here, not so much, especially as it bore little resemblance to the Marvel Universe.

Just Rogue by Djinn WorldAt least Woodward didn’t completely screw up Rogue. Woodward’s Rogue is a patchwork of the Rogue’s who have come before, comic!Rogue, Evo!Rogue, movie!Rogue. The best way I could describe it is Woodward ‘colored within the lines’ of Rogue’s character, unfortunately it wasn’t all that great of a picture she drew in the first place. I sometimes wished Woodward would have just picked one variation of Rogue and stuck with it, or used the core of Rogue to reimagine her again.

But the core was mostly there, Rogue wasn’t reduced to a crying or useless wimp, instead taking it upon herself at one point to beat off thugs with their own baseball bat. She wasn’t totally emo or whining all the time or always needed to be saved. Rogue was a strong girl who only broke down once it was legitimate to do so, but then picked up and moved right on.

Still, occasional there would be an errant comment that would make my eye twitch, such as Rogue saying she always hated the heat and always wanted to go someplace cold. It completely goes against cannon but at least it’s legitimate for a Southerner to feel that way (hence why I think Woodward only skimmed Rogue’s bio). And sometimes I felt Rogue was relying a little too much on the memories of those she absorbed, like she didn’t know how to do a lot of things, or couldn’t figure them out, without help. Of course, this Rogue does not have the training other Rogue’s received under Mystique or the X-Men… but then what kind of country girl doesn’t know how to put up a tent?

And there was a distinct lack of sass… at least to the level we expect from Rogue.

Oh, and speaking of absorptions a second ago… I know Woodward watched X-Men because when Rogue absorbed Cody she got her white streak ala her absorbing Magneto in X-Men. Woodward messed up Rogue’s powers but nothing too crazy, except, you know, she absorbs a cave. Okay, so it might have been the spirit of a Native American who was attached to the cave but still… a cave.

anasazi cave drawingsAgain, because her mutant powers don’t really get brought up that much, and Rogue uses them a total of five times in the whole book, it’s easy to just ignore it ever happened or to brush it off as the fancy of a fan fic writer who is really trying to think out the box, only forgot where they put the box. I mean, it’s kinda a neat idea, spirits are energy too… but here it’s not really given the thought it deserves, like Woodward was simply oblivious to just how WTF that is considering all other canon Rogues.

But I’ll let it slide, because, to be honest, I had a bigger issue with James.

I wish I could say James magically turns out to be Gambit, but that would be a lie. I wish I could tell you he’s an interesting character in his own right but again, a lie. True, he’s an alien, sorta (and that’s in the first 50-ish pages so not really a spoiler), but he also looks exactly like Gambit.

“That’s what I decided to call him, El Creepo, even though by now I’d got close enough to see that he looked like a pretty sexy guy. I guessed he was only a few years older than me, with long, dark hair. It looked like he hadn’t shaved in a couple days. It was too dark out to tell for sure, but I had this feeling he had blue eyes – piercing blue. Not only that, he wore this long, black leather coat.”

And the similarities don’t stop there… he even has a family dynamic which is very similar to Remy’s, plus he’s apt to act and say things that Remy would. Now, I’m cool with Rogue’s little hook up with Magneto, so I wouldn’t have minded James as a love interest to Rogue as long as he was his own person… but to take this character which fit Woodward’s sci-fi theme and make him look and act like Gambit is insulting to all three characters. Rogue has a type, yes, she goes for the strong, passionate, reformed bad-boy types like Gambit and Magneto… but do they have anything in common other than reformed bad-boy with an affinity for the color purple-ish?

It’s natural to see some cross over as there are only so many options when fleshing out a character, but when you put it all together, a grape and a raisin are still technically the same thing. Couldn’t Woodward have picked another fruit?

Woodward proves she doesn’t have much of an imagination anyway, especially when it came to dealing with James not being able to touch Rogue’s skin. Any time there was any ‘touching’ it was so unromantically dull. You know the whole ‘using fabric to kiss each other’ trope? Yeah, instead of using something thin or at least somewhat romantic, Woodward has Rogue use a balaclava… really… a balaclava (which is one of those ski masks that bank robbers use because they cover most of the face). Picture that in your mind for a minute.

The Pro-Romy camp will be annoyed that this Gambit look-a-like is the love interest when Woodward could have just wrote a mutant story and used Gambit himself. The Anti-Romy camp will be annoyed that James is so much like Gambit he might as well be Gambit. Either way, no one is winning in the OTP department. I just started to picture James differently and that made it better, though for some reason I was seeing the guy from I Am Number Four… and don’t ask me why, it just seemed to fit.

Rogueeeerogue by Carlo Pagulayen

Woodward’s Rogue has a fondness for leather pants…

As for the rest of the romance, it tries to get a little smutty, but you know that feeling you get when you’re watching a tv-show on a premium cable channel and they have a sex scene just cause they can? That’s pretty much what it feels like in this book. Since Woodword couldn’t go full Rated R she went PG-13 half-heartedly. Or maybe she wanted to keep it PG and was told to add some spice, dunno. Maybe it was because I just couldn’t get into the relationship, there wasn’t any fire in the flame.

In fact, Woodward seemed to care more about the anti-pollution, pro-socialist message than the romance. Seriously, it was just way too obvious that this was a bit of a love note to the 99%.

Anyway, like I said, I detached myself from the story from time to time, reading it as a popcorn flick of a book. The kind you read, don’t really wish that time of your life back, but don’t care to reread either. The ending though felt really rushed and everything was over way too soon in a ‘that’s it?’ kind of way. But at least it left things open enough for you to write in a head cannon to make it work for you.

As far as Rogue Touch fits into the canon of Rogue stories, it really doesn’t deserve to be put much higher than fan fiction, even if it’s officially licensed. It doesn’t really bring anything new to the table except maybe the wonder of Rogue being able to absorb spirits. So as long as you can read it as a fan fic, instead of a pro fic, then it shouldn’t upset you too much unless you’re really sensitive about your Rogue or your Romy.

And I will say this about Rogue Touch… it’s better than X3… not that that’s saying much…

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The Wolverine title card

A new international trailer has been released, it goes a bit more in depth to the beginning of the film, how Logan knows Yashida and all that. It also seems to confirm a suspicion that Yashida might be using Logan to gain his own immortality which would fit with Yashida being an adversary to Logan. We also see that Viper has some tricks up her sleeve.

But I can’t help thinking that they have given way the ending… at least the boss battle…

Anyway, just a month and a half to go!

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The She-Hulk Diaries by Marta AcostaAs I mentioned, B&N is shipping Rogue Touch and The She-Hulk Diaries early. Apparently She-Hulk ships from Indiana and Rogue Touch from New Jersey, so I got She-Hulk first. In a way though, this works out, because I don’t really know that much about She-Hulk beyond what I’ve garnered through reading X-Men comics as I’m not much of a Hulk/Avengers reader. This means that, unlike Rogue, I won’t be bothered by all the ‘little things’ that butt up against established canon which could drive a fan crazy. This makes me a bit more impartial when reviewing She-Hulk Diaries.

Warning, there are some mild spoilers here but I won’t give away anything major.

First off, if you are a fan of She-Hulk, this book probably isn’t for you. If you are fan of the comics, this book likely isn’t for you either. This book is for the Twilight loving crowd who are less interested in strong action heroines and more interested in the shallow side of romance. If The She-Hulk Diaries sounds a lot like The Carrie Diaries ala Sex in the City then you’ve nailed it. Jennifer Walters spends most of the book fretting over her ex-boyfriend and all the hot guys she wants to sleep with rather than thinking about the case she is working or the mystery that needs solving.

Now, I don’t mind romance in my stories, in fact, I wish comics dealt with romance between characters a lot better with more depth and time spent, but I get annoyed when female characters are reduced to their sex lives. Superhero men have romances while saving the world, so why can’t the same be done with superhero women? Why is it that if a female superhero is given her own book it has to be written about sex and fashion instead of heroics? It’s like whoever okay’d the plot said “that’s what women like, right, Sex in the City and 50 Shades of Gray?” so that’s what was written, only PG-13-ish.

I want to be insulted that Hyperion/Marvel apparently don’t believe female readers could like female characters, or any character, purely because of said character’s full complexity which involves so much more than their love life. This book mentions She-Hulk’s time spent doing interplanetary law, going off planet, and other grandiose things as an Avenger, but instead of doing anything with that, we get ‘should I accept my co-worker’s offer for No-Strings-Attached sex?’. We also could have been given the gritty downside or heroism, such as recently highlighted in Iron Man 3 with Tony’s panic attacks and PTSD, but instead it’s all ‘my ex’s fiancé is such a bitch and totally not worthy of him’.

Like I said, I want to be insulted, but I have to face the facts that this book isn’t written for me, it’s written for that group of readers who eat this kind of stuff up. Marvel is marketing their characters to a whole other demographic. Instead of showing women that it’s okay to like and read She-Hulk, they are giving them She-Hulk in a form that Hyperion/Marvel believes is more pleasant for them. It’s almost like they are re-enforcing that gender divide of ‘guys read gritty action, girls read trashy romance’ but I don’t think it’s malicious on their end. They just want to make sure they aren’t missing any pockets to pick… so really it’s just greediness on their part.

To be fair though, there are comic book fans who also like Twilight. I know one and I’ll have to let her borrow the book and see what she thinks of it, who knows, she might consider it awesome. All I know is that if I want to read three hundred pages of a boarder-line Mary Sue day dreaming about her ex and what she’d like to do with him, I’d go read a fan fiction, at least it would be free and I could pick my OTP.

But here I go, bemoaning this book without actually telling you anything about it, which doesn’t really help you decide to trust me or not on whether this book is for you. So here are some more specific details, again, only mild spoilers.

She-HulkLet’s start with the fact that ‘She-Hulk Diaries’ is a misnomer. It should have been called The Jennifer Diaries as it’s told in first person from Jennifer’s perspective in that she’s the one writing the diary. One of the few things I knew about She-Hulk is that right now in the comics she and Jennifer are the same person. Jennifer embraced her Hulk side and is always ‘hulked-out’ even when she’s doing her daily lawyer stuff. In this book, Jennifer is the quintessential nerdy librarian who is annoyed with She-Hulk who is this party animal that got them evicted from the Avengers Mansion for setting the furniture on fire. She keeps She-Hulk on a leash and is frustrated with her to no end calling her ‘the crazy sister’ that she loves but is stuck with no matter what.

I thought to myself, “Okay, this is like an origin story, we’ll see Jennifer come to accept this side of herself in an emotionally gratifying sub-plot.” They do touch on it here and there, but instead of an emotional and over-arching character study, it’s more like a swan dive off the ‘crap-gotta-shore-up-this-plot-point’ diving board. This was as wonderful chance to really go introspective and thoughtful, to use She-Hulk as an analogue for accepting yourself and all your quirks… and it’s pushed aside so Jennifer could swoon over song lyrics she inspired and get hot and bothered when sexy guys are around.

And this really isn’t the worst of it. Jennifer’s history with her mother being shot, her almost getting killed herself, and her cousin Bruce giving her Hulk powers, is barely skimmed. Seriously, this is Grade-A character development stuff and it’s just casually mentioned as if it’s a non-issue. I mean, why wasn’t the book about that? It’s what we get in superhero movies, whether we want it or not (how many origin story movies have Batman, Superman, and Spider-Man had?). I can kinda understand not wanting to ‘rehash’ origin stories, but if you want to introduce She-Hulk to a whole new audience of readers then completely skipping the whole reason she is She-Hulk pretty much defeats the point. And to just ignore stuff like her mother’s death so Jennifer can talk about “Dr Stunning” is downright disgraceful.

Which all brings me back to my earlier point, if this book is made to introduce new readers to She-Hulk then why does it assume you already know her back story in detail? I mean, if you’re going after the fans of She-Hulk who also like Twilight then that’s not a very large demographic. This just proves to me that She-Hulk is an afterthought in the book, a book which is actually just a typical romance novel with a few She-Hulk things thrown in to justify the licensing.

And it’s not even a very good romance novel. There’s not even any angst. Everyone thinks Jennifer is just so gorgeous and datable while she thinks she’s awkward and in She-Hulk’s shadow. All the ‘romance moments’ are simple, predictable, groan worthy (not in a good way), or tropey, such as running into the ex looking disheveled like she just had sex with the guy standing next to her. (Okay, who the heck shows a guy Krav Maga maneuvers while wearing a slinky dress in the middle of a Valentine’s Day office party… and doesn’t ruin the dress?!) Every romantic plot point is as predictable as a Katherine Heigl movie… in fact, I think I started imagining Jennifer as Katherine about a third into the book.

As for the ex, I don’t know if this is canon but it sounds like it came out of a fan fiction. I mean, this guy is some former rock star who saw her dancing at one of his concerts, grabbed her, had a one night stand with her, and apparently fell desperately in love with her but couldn’t remember her name. Yeah, that’s what a lot of women, and some men, might wish would happen, but seriously? And sure, the ‘loved a life-time in a single day’ romance trope is a classic, but here it has that same touch of ‘I don’t know you but I have this crazy need to protect/love you’ that gets way over-used in OTP fan fictions where a writer puts together an established canon couple ignoring the fact that the couple had a building up period before finally hooking up.

And I’ll admit, I don’t believe in love at first sight. To me, all relationships have to be earned, so you can chalk a little biased against this particular part of the story. But when you tack on the fact that the ex’s finance is made into a total and complete bitch simply to make her unlikable rather than trying to use actual character development and emotion to prove why Jennifer and said ex should be together… it’s just really lame. Not only lame, but again, tropey and predictable. If it was going to be a semi-smutty romance then they could have at least made it a GOOD semi-smutty romance.

Jennifer WaltersAs for Jennifer herself, she is supposed to be this socially awkward, MMO playing, LARPer…which could be canon, as I said, I don’t know a lot about her, but here it feels like an afterthought and only there to reinforce stereotypes. A fair amount of comic book readers are going to be interested in at least one of these things too, so of course they have to have the main character into it. It’s like someone said, “Make sure Jennifer is relatable so make her do all that nerdy stuff that female geeks do.” Her characterization waffles, acting like Carrie Bradshaw (Sex in the City) the whole time until suddenly she needs to be Codex (The Guild). It’s all rather jarring with no clean edges. A woman can be a little bit of both Carrie and Codex, but there is a connection between both sides of that personality where they mesh… here, no meshing.

At one point the author seems to try to specifically say that ‘this is more than just a romance novel’ but she’s deluded herself. Any attempt at actually having any emotional discourse with the character got watered down with discussions of how much she needs to get a date while not drooling over her ex.

Don’t even talk to me about the last quarter of the book which completely dissolves into last minute plot-plugging a plot which is so contrived it’s not even worthy of a B-Grade comic book. There is also so much OOC from a well-known character that I want to be incensed on behalf of a legion of fan boys. If you’re a Fantastic Four fan, for heaven’s sake, don’t read this book!

There are other little things that bothered me, such as the gratuitous use of the words ooky and smeered (are these even legitimate words?), so overall I wouldn’t recommend it to anyone because it’s an awful comic book story and an lame romance story. I try to find redeeming qualities in everything, I really do, but the only thing I can say about She-Hulk Diaries is that it’s still a better love story than Twilight.

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